The ukulele is affordable, easy to learn and found everywhere, from our kid's beginning music class, to many shops, to re the hands of some of our favorite musicians. One popular teachers is quoted: “Strum with your index finger or thumb—whatever feels good... There are no ukulele police.”
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Read More »Despite a long history that once included a reputation as an exotic and highbrow instrument, the ukulele has also endured decades of snubbing from both the pop music scene and the more cultured world of classical music.
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Learn More »Then came the ukepocalypse. In the 1960s, the guitar took over. It was new, it was rocking, it was electrified. The kids and teens wanted to make the sounds of Elvis Presley and Chuck Berry. “If a kid has a uke in his hand, he’s not going to get in much trouble,” Arthur Godfrey had said, apparently unaware that he'd put his finger on the uke’s fatal weakness. Then, decades later, a new generation of musicians jaded by electric guitars and mostly unaware of either the uke’s squareness or its Tiny-Tim-related disrepute began to tinker with the instrument. Beginning in the 1980s, some rock ‘n’ rollers began to introduce the ukulele—in some instances, to sound a note of folksy authenticity; in others, to explore more intimate, spontaneous and personal aspects of music making. Paul McCartney strummed one on his 2002 tour as a tribute to fellow Beatle George Harrison, a serious ukulele player and a devotee of the British music hall ukulele tradition. Harrison later gave his blessing to the ukulele revival by penning an introduction to Jumpin’ Jim (Beloff)’s 60s Uke-In Songbook: “ Everybody should have and play a uke. It’s so simple to carry with you and it is one instrument you can’t play and not laugh! It’s so sweet and also very old.”
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