Any employer investing in a costly typewriter would naturally choose the layout that most typists could use. Economies of scale kicked in. QWERTY typewriters became cheaper to produce and thus cheaper to buy. Everyone trained on QWERTY.
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Read More »HARFORD: Typing at 60 words a minute - no stretch for a good typist - means five or six letters striking the same spot each second. And at such a speed, the typist might need to be slowed down for the sake of the typewriter. And that is what QWERTY supposedly did. Then again, if QWERTY really was designed to be slow, how come the most popular pair of letters in English - T, H - are adjacent and right under the index fingers? The plot thickens. The father of the QWERTY keyboard, Christopher Latham Sholes, a printer from Wisconsin, sold his first typewriter in 1868 to Edward Payson Porter of Porter's Telegraph College, Chicago, which gives a clue as to what was going on. The QWERTY layout was designed for the convenience of telegraph operators transcribing Morse code. Why do we still use it? The simple answer is that QWERTY won a battle for dominance in the 1880s. Sholes' design was taken up by the gunsmiths E. Remington And Sons. It wasn't the only typewriter around. Sholes has been described as the 52nd man to invent the typewriter, but the QWERTY keyboard emerged victorious. Yet this brief struggle for market dominance in 1880s America determines the layout of the keyboard on an iPad. Nobody then was thinking about our interests today. But their actions control ours. These things have a momentum of their own. And that's a shame because more logical layouts exist; notably, the Dvorak, designed by August Dvorak and patented in 1932. It favors the stronger hand. Left- and right-hand layouts are available. And it puts the most used keys together. The U.S. Navy conducted a study in the 1940s, demonstrating that the Dvorak was vastly superior. Training typists to use the Dvorak layout would pay for itself many times over. So why didn't we all switch to Dvorak? The problem lay in coordinating the switch. QWERTY had been the universal layout since before August Dvorak was born. Most typists trained on it. Any employer investing in a costly typewriter would naturally choose the layout that most typists could use. Economies of scale kicked in. QWERTY typewriters became cheaper to produce and thus cheaper to buy. Everyone trained on QWERTY. Every office used it. Dvorak keyboards never stood a chance. So now we start to see why this case matters. For a leading economic historian, Paul David, QWERTY is the quintessential example of something economists call lock-in. Paul David argued that we get locked into standards like QWERTY all the time.
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