Tears and chills – or “tingles” – on hearing music are a physiological response which activates the parasympathetic nervous system, as well as the reward-related brain regions of the brain. Studies have shown that around 25% of the population experience this reaction to music.
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Read More »Music has the power to tug at the heartstrings, and evoking emotion is the main purpose of music – whether it’s joy or sadness, excitement or meditation. A certain melody or line of a song, a falling phrase, the delayed gratification of a resolved harmony – all these factors make music interesting, exciting, calming, pleasurable and moving. Tears and chills – or “tingles” – on hearing music are a physiological response which activates the parasympathetic nervous system, as well as the reward-related brain regions of the brain. Studies have shown that around 25% of the population experience this reaction to music. But it’s much more than a pure physiological response. Classical music in particular steers a mysterious path through our senses, triggering unexpected and powerful emotional responses, which sometimes result in tears – and not just tears of sadness. Tears flow spontaneously in response to a release of tension, perhaps at the end of a particularly engrossing performance. Certain pieces of music can remind us of past events, experiences and people, triggering memories and associated emotions. At other times, we may feel tearfully awestruck in the face of the greatness or sheer beauty of the music. This last response has a name – Stendhal Syndrome – and while the syndrome is more commonly associated with art, it can be applied equally to the powerful emotional reaction which music provokes. A psychosomatic disorder, Stendhal Syndrome, or hyperkulturemia, causes rapid heartbeat, dizziness, sweating, disorientation, fainting, tears and confusion when someone is looking at artwork (or hearing a piece of music) with which he or she connects emotionally on a profound level. The phenomenon, also called ‘Florence Syndrome’, is named after the French author Marie-Henri Beyle , who wrote under the pen-name of ‘Stendhal’. While visiting the Basilica of Santa Croce in Florence, he became overcome with emotion and noted his reactions: “I was in a sort of ecstasy, from the idea of being in Florence, close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty … I reached the point where one encounters celestial sensations … Everything spoke so vividly to my soul.” While there is some debate as to whether the syndrome actually exists, there is no doubt that music (and art and literature) can have a very profound effect on our emotional responses.
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Read More »The most commonly used chords (in any key) are the I (1), V (5), vi (6), IV (4). First, it's important to know/remember that chords are notated in piano music by Roman Numerals. Large letter numerals are for Major chords and small letter numerals are for minor chords.
We hear chords in piano music all of the time without really thinking in detail about how they sound and connect with each other. We just somehow intuitively process the sounds to make sense. We can hear how certain chords create a sound of "beginning and ending" when played together and even when there is an ending missing as we're left with a feeling of "hanging in the air" instead of "landing back on the ground". The connection that these chords have with each other is called a Progression. Chord progressions are simply groups of chords put together in a specific way to create a specific type of sound. There are many many different chord progressions that we end up learning throughout our piano learning. However, there are some that are used over and over again; not only in many different pieces but also in the same piece! If you look at the image above, I have listed just a few examples of songs that are very popular that use this common 4-chord pattern. The most commonly used 4 chords are what we are going to focus on and learn today. You will recognize the sound of these chords and the progression pattern, even if you are new to music theory and learning to play the piano. Let's take a closer look now at those specific chords and what we call them.
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