If you play A minor, you are likely to play the lowest note of a piano. This means that it helps us to emphasize the mood of a piece we are playing, without straining our fingers or making mistakes. That is the most important reason why the piano starts with an A while it ends with a C.
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Read More »When the piano was invented it did not have 88 keys and did not start on A. As composers such as Beethoven starting composing music that demanded a wider range of available notes, piano makers of the day responded by building piano's with an expanded range. The precursor of the piano was the harpsichord which was not the first keyboard (the organ was invented prior to the harpsichord). Very early keyboard instruments did not have black keys and therefore were not chromatic. The early harpsichords and the pianos that evolved from them only spanned four octaves and started on a C. This is probably due to the first keyboards having only white keys so they worked in the key of C or A minor.
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Read More »EDIT: And Wheat Williams did a great job (in his new answer) explaining how the technology of piano building evolved to make this expansion possible in order to meet the demand & desire for more notes.
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Read More »They started with the A above middle C (which is what the tuning fork was tuned to sound) and tuned the other A notes using octaves. The 85 key piano became the standard before the modern 88 key piano did. There are still some old 85 key pianos around. The 85 key piano that was adopted by the piano makers of the day as the standard configuration spanned seven octaves and started on A0 and the last key was A7. This is very logical from a practical point of view given that the piano tuners of that time started with a tuning fork tuned to A = 435 Hz (this was later changed and now is A=440 Hz) and then tuned the other A's by ear using octaves. So it stands to reason that if we were going to build a piano with an extended range that satisfied the composers of the day and wanted to span 7 octaves (close to the limits of humans ability to distinguish notes) and if we knew that to tune that piano we would be starting with a tuning fork tuned to A above middle C and work from there - it only makes sense that we would go as far as we could in both directions to cover most of the effective range for human hearing. And to do that it makes the most sense to proceed in octaves for the sake of simplifying the tuning process. If we start in the middle on A and expand from there in both directions, we end up with a keyboard that starts and ends on A. So there you have it! Later the 3 keys were added to the end (to end on C) perhaps to complete the C major scale on the last octave.
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