This complete vibration induces waves in the air inside the violin, thereby changing the original vibration caused by the strings into sound that is emitted through the f-holes and… Voila! The violin produces its beautiful, familiar sound.
Though there's no harm in waiting longer, the average instrument needs a minimum three- to five-day acclimation period before it's tuned. Because...
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Read More »D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps. Its...
Read More »The Interactions between String and Bow The importance of choosing the right strings for a violin can be compared to selecting tires for a car. Just like poorly made tires can result in a squeaky ride, selecting low quality strings will likewise yield cacophonous noises when a violinist attempts to stroke the strings. Each string on a violin is responsible for a distinct note. The E string, the highest note, is usually made of metal because metal has the highest tension and is capable of producing the highest frequency sound. On the other hand, the G string — the lowest note — is made of gut core string that has far less tension than metal and produces low frequencies. To play the violin, the bow, which is composed of horse hair stretched across a long strip of wood, is pulled across the strings. Horse hair is used because of its electrostatic qualities. It acts like a magnet, attracting particles of rosin that help stick the bow to the strings. The more the bow is “glued” to the strings, the richer the sound it will produce. The friction between the hair and the strings causes the strings to vibrate and generate sound waves. To the naked eye, the string appears as though it is moving back and forth, but in actuality it is moving in a V-shape. This observation was first discovered by Hermann von Helmholtz 140 years ago, and since then violinists have tried to achieve the “Helmholtz Motion,” where “smooth playability and good tone” of a bowed-string instrument are accomplished. Helmholtz motion is characterized by the bow stroking the string and creating a single corner or indentation in the string that travels back and forth on the string with an slightly parabolic structure, or envelope. The corner then sticks to the bow as they touch one another. While the corner is on the shorter part of its journey, between the bow and the bridge, the string slips under the bow [4]. The Finale Imagine that you are seated in a dark hall. Suddenly the hall lights up and people around you start applauding madly. The woman on stage is proudly displaying a violin. She is none other than Midori Goto, a child prodigy. Then the lights dim and the audience takes their seats. Midori starts playing slowly at first, but then her bow begins to move so fast that you would think it was going to fly out of her hand at any given moment. In the corner of the hall, you gaze in awe as she mesmerizes you with the awe-inspiring sound that comes from her teeter-tottering bow. It is indeed amazing how one thin piece of wood can produce such incredible sounds when it touches the violin strings. Although the sounds are beautifully intangible, the phenomenon of this musical instrument can reveal itself through the examination of the brilliant engineering behind it.
Antique pianos are pianos that're at least a hundred years old, and, like antique books, they're not worth a lot of money just because of their...
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