Photo: Aejaz Memon

Who invented music in the Bible?

Jubal Jubal (also Yuval, Yubal or Tubal; Hebrew: יוּבָל – Yūḇāl) is a Biblical figure in Genesis 4:21 of the Hebrew Bible and Old Testament. Mentioned only once, he is sometimes regarded by Christians, particularly by medieval commentators, as the 'inventor of music'.

en.wikipedia.org - Jubal (Bible) - Wikipedia

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Biblical figure

This article is about the person in Genesis 4. For other people of this name, see Jubal Jubal (also Yuval, Yubal or Tubal; Hebrew: יוּבָל – Yūḇāl) is a Biblical figure in Genesis 4:21 of the Hebrew Bible and Old Testament. Mentioned only once, he is sometimes regarded by Christians, particularly by medieval commentators, as the 'inventor of music'. A descendant of Cain, his father is Lamech and his brother is Jabal.

Biblical narrative [ edit ]

Jubal is only known from his appearance in Genesis 4:21 of the Hebrew Bible and Old Testament. The account describes him as a descendant of Cain and the son of Lamech and Adah. He is also a brother of Jabal, and half-brother of Tubal-cain and Naamah. Genesis credits him as the forefather of certain instruments: the kinnor (Hebrew: כנור) and ugab (עוגב). The translations of these vary depending on the edition: "he was the ancestor of all those who play the lyre and pipe" (NRSV)[2] "he was the father of all such as handle the harp and organ" (KJV)[3] "he was the father of all who play stringed instruments and pipes" (NIV)[4]

Family tree [ edit ]

a b c Genesis 4:1 ^ Genesis 4:2 ^ Genesis 4:25; 5:3 ^ Genesis 4:17 ^ Genesis 4:26; 5:6–7 a b c d Genesis 4:18 ^ Genesis 5:9–10 ^ Genesis 5:12–13 ^ Genesis 5:15–16 a b Genesis 4:19 ^ Genesis 5:18–19 ^ Genesis 4:20 ^ Genesis 4:21 a b Genesis 4:22 ^ Genesis 5:21–22 ^ Genesis 5:25–26 ^ Genesis 5:28–30 a b c Genesis 5:32

In Islamic sources [ edit ]

According to an unnamed Jewish source mentioned in Muhammad Al-Tabari's work History of the Prophets and Kings (915 CE), Jubal invented musical instruments during the time of Mahalalel.[5]

References [ edit ]

Sources [ edit ]

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What are the 3 piano pedals for?

There are three pedals on the grand piano – they are named, from left to right, the una corda, sostenuto, and damper pedal. The purpose of the pedals is to change the tone of the piano in some way.

piano.christophersmit.com - Three Pedals on the Grand - The Piano Deconstructed

The Pedals

Three Pedals on the Grand

There are three pedals on the grand piano they are named, from left to right, the una corda, sostenuto, and damper pedal. The purpose of the pedals is to change the tone of the piano in some way. The damper pedal, also called the sustain pedal, prolongs the sound of the piano by lifting all of the dampers off the strings. This sustains the sound, and also allows all of the strings to vibrate sympathetically. The sostenuto pedal acts as a selective damper when the pedal is activated, the sostenuto rod engages and holds up only those dampers that have been raised by their keys. The dampers that are at rest remain unaffected. This sustains only the notes that are depressed when the pedal is activated. The una corda thins the tone of the piano by shifting the entire keyboard and action slightly to the right so that the hammers do not strike all of the strings. The shifting of the action also allows the hammers to strike the string with a different portion of the hammer head. Over time, the felt of the hammer head can become compacted from repeatedly striking the strings. When the keyboard is shifted, the hammers strike the strings with a different, softer portion of the hammer head, which affects the sound. The pedals are held in place by the pedal support structure, which is part of the case of the piano. The system of springs and levers that the pedals operate is called the trapwork.

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