Which singer has hit the highest note?

But it's Mariah Carey who takes the prize for the largest vocal range of all. She can reach a low F2 and hit an unbelievable G7, a note that dolphins would envy, and that only some dogs can hear.

classicfm.com - We looked at the vocal ranges of these iconic singers - Classic FM

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We looked at the vocal ranges of these iconic singers — and they’re really impressive

By Sofia Rizzi

From Pavarotti to Prince, some of these musicians’ vocal ranges span a spectacular four octaves. A middle C on the piano can also be described as a C4 – and any number above or below that measures an octave. So, a C3 would be an octave below C4, while C5 would be an octave above. That considered, the vocal ranges seen here are nothing short of a miracle. Luciano Pavarotti is hailed as the world’s greatest tenor, and his impressive vocal range proves just that. In his prime, the larger-than-life tenor could hit an F5 – that’s an octave and a half above middle C. Then, there are those of musicians from the pop world. While David Bowie and Freddie Mercury both had ranges spanning four octaves, Prince could hit a gobsmacking B6. Beyoncé isn’t far off that either, with a versatile range starting at A2 and hitting E6. Plus, Lady Gaga’s earthy lower register allows her to hit a B flat 5. As heavenly and awe-inspiring as the high notes are, let’s not forget the lower register. Montserrat Caballé and Renée Fleming, for instance, can both reach an F sharp 3. Montserrat Caballé hits this note in Strauss’ opera Salome. But it’s Mariah Carey who takes the prize for the largest vocal range of all. She can reach a low F2 and hit an unbelievable G7, a note that dolphins would envy, and that only some dogs can hear.

Don’t believe us? Have a listen to this:

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What makes a song creepy?

For example, distant creepy movements and eerie haunting winds that are played in the background are what build up the spooky atmosphere. Sound effects that mimic human fear, including pulsing heartbeats and slow and heavy breathing, also increases the level of scariness.

allianz.co.uk - Sounds of horror: what makes music spooky? - Allianz Insurance

A lot of music used in scary films is composed using keys that change our mood and emotions. Using major keys will give a sense of happiness and positivity, that’s why a lot of composers turn to minor keys to build atmosphere in horror film. Minor keys tend to make us feel sad or concerned, to many people it can even give the feeling that the sound is off key, making us feel as though something is about to happen. The iconic Halloween (1978) theme song is a great example of this. Written in F# minor it creates an eerie and spooky atmosphere. Using a Tritone, also known as the ‘Devil in Music’ is where composers simultaneously play two notes that are three tones apart. This effect creates an uneasy feeling of dissonance, where the music sounds unstable and unfinished. This is what gives us that feeling of being on edge and unsure of what’s around the corner – this is exactly where the composer wants us to be!

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