An f/2.8 lens will give you twice the shutter speed of an f/4 lens when shooting with the aperture wide open. If you find yourself photographing moving people or other moving subjects, where fast shutter speeds are critical, then the f/2.8 is probably the right way to go.
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One of the most frequent questions I get concerns the purchase of a new zoom lens and whether I’d recommend a maximum aperture of f/2.8 versus f/4. Many manufacturers offer multiple options in the ‘holy trinity’ series of zooms, which are usually the focal lengths 16-35mm, 24-70mm and 70-200mm. I should feel pretty well versed in answering this question, after all I’ve owned countless models of both the f/2.8 and f/4, in a variety of focal lengths, and among multiple brands. Despite all my experience though, I too can struggle with this one.
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If you find yourself photographing moving people or other moving subjects, where fast shutter speeds are critical, then the f/2.8 is probably the right way to go. If you frequently work with static subjects, like architecture and landscape, the f/4 lenses can deliver the same quality (in sharpness and construction) in a smaller and lighter package. Choosing to use an f/4 lens for shooting fast subjects, you may need to push your ISO up one extra stop to compensate for the slower maximum aperture.
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