Piano Guidance
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Which color keys are Clickiest?

One of the joys of the mechanical keyboard is the satisfying "clack clack" sound it makes. Of course, "satisfying" to you can be "irritating" for others. The Cherry MX Blue switch is the loudest and "clickiest" of the three major switches, while the Red is the quietest.

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Blue? Brown? Red? Your Guide to Mechanical Keyboard Switches

Readers of a particular age -- by which we mean at least 30 -- will remember the days of the mechanical computer keyboard, when depressing the keys made a satisfying "clack" sound. Those sounds are gone because the old mechanical switches have largely been replaced by simple rubber domes that contact the circuit board under the keys. We wrote about mechanical keyboards last year, but avoided the big question; namely, what kind of keys you want with your keyboard. A German company called Cherry makes, more or less, every switch in modern mechanical keyboards, and they come in several different styles (Blue? Red? Brown? Green?!), each of which has its own pros and cons.

Touch Typing

The actuation point is the place in the key press where the key actually makes contact with the circuit board in the keyboard. Most of the Cherry switches actuate well before the key is completely depressed. These "tactile" switches engage about halfway through the press, compared to your current keyboard, which doesn't register a press until the key is almost fully depressed. Both the Cherry MX Blue and Brown switches actuate about halfway through a key press. For this reason, touch typists like Cherry Blue, Brown, and Green because the keys don't have to be fully depressed to register a press.

Tactile Feedback

The Cherry MX Blue and Brown switches, however, require a little bit of extra force to push them to the actuation point, with the Blue requiring more force than the Brown and the Green requiring the most of all. This results in a "bump" about halfway through the press, signaling that you've hit the actuation point. If you hate that idea, consider the Cherry MX Red and Black. These are "linear" switches, meaning no additional force is required to depress the key completely and there's no bumps in the middle. The downside to these switches is that it's easy to accidentally mash the wrong key.

Sound Effects

One of the joys of the mechanical keyboard is the satisfying "clack clack" sound it makes. Of course, "satisfying" to you can be "irritating" for others. The Cherry MX Blue switch is the loudest and "clickiest" of the three major switches, while the Red is the quietest. Factor that into your decision if you don't have your own office, or you otherwise share your space with someone else.

It's All About Preferences

No one can tell you which kind of switch you'd prefer; you have to try them out yourself and then decide whether you like the sharp clack of the Cherry MX Blue or the softer operation of the Cherry MX Brown. Mechanical keyboards could even improve your efficiency. And before your head explodes at the cost of the Das Keyboard (the Cadillac of mechanical keyboards), rest assured that you can also get Cherry switches in less expensive keyboards.

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When did 88 key piano become standard?

By the 1890s, today's modern keyboard had become established with 88 keys spanning 7¼ octaves (from 2A to C5; 27.5 Hz to 4,186 Hz*).

The piano that Bartolomeo Cristofori first invented in Italy had only 54 keys. As piano music developed and evolved, the keyboard compass was gradually expanded in response to requests from composers who sought a broader potential for expression. By the 1890s, today's modern keyboard had become established with 88 keys spanning 7¼ octaves (from 2A to C5; 27.5 Hz to 4,186 Hz*). The human ear can hear sounds in the range from approximately 20 Hz to 20,000 Hz, but the upper limit of frequencies that the human brain can discriminate is at the very most around 4,000 Hz. Even if the compass were to be expanded by increasing the number of keys on the piano, to the human ear, the extra notes at the bass end would become nothing more than a rumbling noise, and the added treble notes would be heard as an unpleasant dissonant noise with no sense of being in a tonal range, and thus, musically, would be almost meaningless. Boesendorfer is making 97-key pianos with nine additional keys in the bass segment of the keyboard (2C to C5). However, the strings for these nine keys in the lowest bass segment are really only there to provide a richer sound when other keys are played by resonating with them. In reality, the extra keys themselves are almost never played directly. * When A is tuned to 440 Hz. The pitch of the individual keys will vary depending on the tuning method.

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