the Fender Mustang “Out of all the guitars in the whole world, the Fender Mustang is my favorite,” Cobain said in a 1991 interview with Guitar World. “They're cheap and totally inefficient, and they sound like crap and are very small.”
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Read More »One of Kurt Cobain’s most beloved guitars, seen in Nirvana’s “Smells Like Teen Spirit” video, sold for $4.5 million at auction Sunday in New York, Julien’s Auctions announced. The guitar — a 1969 Fender Competition Mustang in a color known as Lake Placid Blue that was owned by the Cobain family — was previously displayed as part of Indianapolis Colts owner Jim Irsay’s extensive collection of rock memorabilia prior to the auction, the Associated Press previously reported. On Sunday, it was the Jim Irsay Collection that ultimately made the winning bid at the auction to officially take ownership of the guitar, with the Cobain family donating a portion of the sale to the NFL team’s Kicking The Stigma mental health awareness campaign. “I am thrilled to preserve and protect another piece of American culture that changed the way we looked at world,” Irsay said in a statement. “The fact that a portion of the proceeds will go toward our effort to kick the stigma surrounding mental health makes this acquisition even more special to me.” Cobain famously used the guitar in the video for the band’s breakthrough single, “Smells Like Teen Spirit.” The guitar is said to be among the musician’s favorite in his expansive collection — so much so that Cobain rarely used the guitar outside of a studio setting. (Footage from a September 1991 in-store performance in Seattle show Cobain playing the guitar for several songs, and numerous fan sites have documented the guitar’s use at a handful of gigs between the fall of 1991 and early 1993.) The so-called “competition stripe” variants, which were available for both Mustang guitars and basses, are a much-coveted instrument among short-scale enthusiasts; original 1960s and 1970s models regularly sell for thousands of dollars. Cobain was well-known for his devotion to Fender’s line of offset guitars — most notably the brand’s Mustang models, which the “Come As You Are” singer used regularly throughout Nirvana’s run. In the year leading up to the release of Nevermind, Cobain destroyed several Mustangs — which the band had pieced together and assembled on the cheap — on-stage during several live shows. (“We bought some necks, and took pieces of wood and cut out the bodies and put necks on — and they were completely out of tune. But we did a pretty good job,” Cobain recalled in a 1993 interview. “Those were all destroyed in one tour.”) He also exclusively played a series of four Fender Mustangs during the band’s In Utero Tour. “Out of all the guitars in the whole world, the Fender Mustang is my favorite,” Cobain said in a 1991 interview with Guitar World. “They’re cheap and totally inefficient, and they sound like crap and are very small.”
In secondary schools, students in music are taught about how to perform in different types of music ensemble. These include orchestra, choir,...
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Read More »1. "Stairway to Heaven" — Jimmy Page, Led Zeppelin (1971) Since its release in 1971, "Stairway to Heaven" has topped numerous lists as the best rock song and best guitar solo of all time, and it's primarily thanks to the masterful architecture of Jimmy Page's guitar solo.
2. "All Along the Watchtower" — Jimi Hendrix, The Jimi Hendrix Experience (1968) Jimi Hendrix loved Bob Dylan's body of work and played many of his songs throughout his career but his rendition of "All Along the Watchtower" is among his best playing. It also gifted the world one of the best guitar solos ever. The fact of the matter is that in 1968 when the song released, guitarists just weren't doing the things Jimi was doing. Through the song's four solos his distinct psychedelic tone mixed with his innovative playing style — in the third solo he used a cigarette lighter for the slides and his trademark wah-wah pedal is most present in the fourth solo — give "Watchtower" its frenzied spirit. It's no wonder the song became the anthem of the Vietnam War. According to Rolling Stone, Bob Dylan told the Fort Lauderdale Sun Sentinel in 1995 that he thought Hendrix improved his song. "He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using."
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