The first thing Disney did to make Cruella a redeemable character was to portray her as having dissociative identity disorder (sometimes called multiple personality disorder).
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Read More »The Paladin is Furman University's only independent student news network. Established in 1916 as a print newspaper, it provides the student body's perspective on news and issues affecting the Furman community. Cruella De Vil undeniably ranks amongst the top-ten most malicious monsters in fiction.
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Read More »The three soon become a pseudo-family and the movie hints strongly that Jasper and Cruella will one day form a romantic relationship. While these strong relationships add depth to Cruella’s character, they do not function logically within the larger plot. This kind of support system should have anchored her (and does throughout the movie), thus conflicting with the idea that Cruella would eventually lose herself so fully to the dark side. Also, Jasper and Horace do not remotely resemble the original duo. For step three, the movie introduces an even more evil villain than our protagonist. The Baroness (played by the esteemed Emma Thompson) is the queen of the fashion scene in 1970s London. Having always wanted to be a fashion designer, Estella ends up working for the Baroness, uncovering her evil ways, and vowing to knock her off her throne. However, this task is too much for the simple, kind Estella, so Cruella has to take over. Cue step three, part two — have our villain defeat the even eviler villain. And voila -- Cruella is redeemed (per Disney's standards). Unfortunately for viewers, while the Baroness certainly helped develop Cruella’s descent into villainy and move the story along, the trade-off was making the Baroness a boring, flat character with very little personality beyond her self-serving evilness.
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