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What keys are in B Major?

B major (or the key of B) is a major scale based on B. The pitches B, C♯, D♯, E, F♯, G♯, and A♯ are all part of the B major scale.

en.wikipedia.org - B major - Wikipedia

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Major scale based on B

This article is about the major scale B. It is not to be confused with Bei Maejor B major (or the key of B) is a major scale based on B. The pitches B, C♯, D♯, E, F♯, G♯, and A♯ are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major.

The B major scale is:

Audio playback is not supported in your browser. You can download the audio file Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes).[1] Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the "Flower Duet" from Lakmé. Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in B minor. Brahms also wrote the slow movement to his Second Symphony in B major, as well as the fourth and last piece of the Ballades, Op. 10. The second movement of Beethoven's Piano Concerto No. 5 "Emperor" is in B major. The "Tuileries" movement from Mussorgsky's Pictures at an Exhibition is in the key. Tchaikovsky's Manfred Symphony in B minor ends in B major.

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What is C1 C2 C3 in piano?

The lowest C on the keyboard (the third white note from the end) is called C1. From there, each C to the right increases by one, so next we have C2, then C3. Then comes middle C, or C4 (those two names are interchangeable).

allaboutmusictheory.com - Music Note Names: Middle C and Scientific Pitch Notation

Same song, but it sounds quite different in another octave, doesn’t it?

In this example we moved 3 octaves away from the original, but even a one-octave change in either direction still changes the sound in a noticeable way. So that’s why we have to know where we are on the keyboard. That doesn’t mean that one way is the right way and one way is the wrong way; it just depends on how we decide we want it to sound. It’s similar to deciding if you want to have your song played by flute, guitar, or sung by a choir – the song is still the same song, but it will sound very different depending on the choice of performer(s)/instrument. Which we choose is up to us. So in the above example, obviously the first version played in the middle of the keyboard would probably be the more typical and natural choice, but if we wanted some kind of disturbing horror movie version in which the lamb wins, then perhaps we would choose the second version.