The minor pentatonic scale is an amazing scale that can create stunningly beautiful riffs, runs, and melodies. It is a fantastic way to start improvising and exploring in minor keys because there are only 5 notes! If you don't know the minor pentatonic scale, I'm so excited for you.
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Read More »The minor pentatonic scale is an amazing scale that can create stunningly beautiful riffs, runs, and melodies. It is a fantastic way to start improvising and exploring in minor keys because there are only 5 notes! If you don’t know the minor pentatonic scale, I’m so excited for you. It will change the way you think about improvising. In this lesson, I’m going to show you how to play the minor pentatonic scale, and then show you 3 really cool patterns to start your improvising with. As always, these are just guides to get you started. I’d really encourage you to take them and make them your own!
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Read More »dominant, in music, the fifth tone or degree of a diatonic scale (i.e., any of the major or minor scales of the tonal harmonic system), or the triad built upon this degree. In the key of C, for example, the dominant degree is the note G; the dominant triad is formed by the notes G–B–D in the key of C major or C minor.
dominant, in music, the fifth tone or degree of a diatonic scale (i.e., any of the major or minor scales of the tonal harmonic system), or the triad built upon this degree. In the key of C, for example, the dominant degree is the note G; the dominant triad is formed by the notes G–B–D in the key of C major or C minor. For further explanations of these relationships, see also cadence and harmony. The strongest harmonic progression in tonal music is from the dominant chord to the tonic triad (i.e., the triad built upon the first note of a diatonic scale). It has been estimated that during the period when tonal harmony dominated Western music, from about 1650 into the 20th century, a substantial percentage of all harmonic successions involved a dominant–tonic relationship of some kind. The relationship between tonic and dominant keys (e.g., C major and G major) is an essential component of the tonal organization of the sonata form.
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