1. Piano Sonata in D Major, K. 576 by Wolfgang Amadeus Mozart.
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Read More »Piano Sonata No. 29 in B-Flat Major, Op. 106 (also known as the Große Sonate für das Hammerklavier, or more simply as the Hammerklavier) is known as one of the greatest piano sonatas of all time. The piece is often considered to be Beethoven‘s most technically challenging piano composition and one of the most demanding solo works in all of classical music. The sonata was composed in 1817-1818 and was dedicated to Beethoven‘s patron, Archduke Rudolph. The Hammerklavier set a precedent with a standard performance length of 45-50 minutes (previous concerto movements were typically 15-20 minutes). The work was admired but received as nearly unplayable by many pianists. It requires incredible dexterity and a stunning level of stamina to complete the piece. Even classical pianist Emanuel Ax stated that he believes himself too old to now learn the sonata. The time investment required both to learn and to play the piece make it a challenge many musicians simply choose not to face. Hungarian Rhapsody No. 2 in C-sharp Minor, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt and is by far the most famous of the set. In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular compositions. Though it is familiar to the ear, this piece is difficult for even the most talented pianists. The Hungarian Rhapsody No. 2 opens in a dark and dramatic mood with strong low chords. Dotted rhythms of alternating short and long notes borrowed straight from Hungarian folk dances become prominent. These slow opening pages gradually lead to brisk and energetic ones, just as folk dances may pick up the pace with time. The Fantaisie-Impromptu was written in 1834, but unlike other works that were written during this year, Chopin never published the Fantaisie-Impromptu. Instead, Julian Fontana published it posthumously, along with other waltzes.
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Read More »This piece has proved to be difficult to pianists for many reasons, one being that each of the hands play in a different meter: the right in duple time, the left in triple time. It also features a middle section in D♭ major, while the beginning and end of the piece are in C♯ minor. These five pieces are among many seen as being nearly “impossible” to play, but any pianist will tell you that the most difficult piece of music is always the one you are about to learn. The best musicians are those who continue to challenge themselves, and luckily for the music lovers of the world, the five pieces above are a great way to accomplish just that! Disclosure of Material Connection: Some of the links in the post above may be "affiliate links." This means if you click on the link and make a purchase, Musicnotes will receive an affiliate commission. We are disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : "Guides Concerning the Use of Endorsements and Testimonials in Advertising."
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