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What is the fear of singing called?

Ligyrophobia, sonophobia, acousticophobia. Specialty. Psychiatry, neurology. The term phonophobia comes from Greek φωνή - phōnē, "voice" or "sound" and φόβος - phobos, "fear".

en.wikipedia.org - Phonophobia - Wikipedia
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This article is about the fear of loud sounds. For the aversion to specific sounds, such as eating, coughing, or alarms, see Misophonia . For the fear of making or taking phone calls, see Telephone phobia

Medical condition

Phonophobia Other names Ligyrophobia, sonophobia, acousticophobia[1] Specialty Psychiatry, neurology

Phonophobia, also called ligyrophobia or sonophobia, is a fear of or aversion to loud sounds (for example fireworks)—a type of specific phobia.[2] It is a very rare phobia which is often the symptom of hyperacusis. Sonophobia can refer to the hypersensitivity of a patient to sound and can be part of the diagnosis of a migraine. Occasionally it is called acousticophobia.[1] The term phonophobia comes from Greek φωνή - phōnē, "voice" or "sound"[3] and φόβος - phobos, "fear".[4] Ligyrophobics may be fearful of devices that can suddenly emit loud sounds, such as computer speakers or fire alarms. When operating a device such as a home theater system, computer, television, or CD player, they may wish to have the volume turned down all the way before doing anything that would cause the speakers to emit sound, so that once the command to produce sound is given, the user can raise the volume of the speakers to a comfortable listening level. They may avoid parades and carnivals due to the loud instruments such as drums. As festive occasions are accompanied by music of over 120 decibels, many phobics develop agoraphobia. Other ligyrophobics also steer clear of any events in which fireworks are to be let off.[citation needed] Another example is watching someone blow up a balloon beyond its normal capacity. This is often an unsettling, even disturbing thing for a person with ligyrophobia to observe, as they anticipate a loud sound when the balloon pops. When balloons pop, two types of reactions are heavy breathing and panic attacks. The sufferer becomes anxious to get away from the source of the loud sound and may get headaches.[1] It may also be related to, caused by, or confused with hyperacusis, extreme sensitivity to loud sounds.[5] Phonophobia also has been proposed to refer to an extreme form of misophonia.[6]

See also [ edit ]

Astraphobia – fear of thunder

Misophonia – irrational 'hatred' or disgust expressed towards specific sounds

List of phobias

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Why was Freddie Mercury's voice so powerful?

According to his research, the key lies in Mercury's vibrato, which differs slightly from those of other classically trained singers. "Usually, you can sing a straight tone, but opera singers try to modulate the fundamental frequencies," he says. "So they make the tone, if you like, a bit more vibrant.

Why Freddie Mercury's Voice Was So Great, As Explained By Science

Freddie Mercury, the late frontman for the legendary band Queen, died almost 25 years ago. But he's still regarded as one of the best rock singers ever. What, exactly, made him so great? A research team in Europe wanted to answer that question, so it looked into the science behind his voice. Professor Christian Herbst was part of that team, which just released its study on Mercury; as a singing teacher and a biophysicist, Herbst says he was intrigued by Mercury's technique. According to his research, the key lies in Mercury's vibrato, which differs slightly from those of other classically trained singers. "Usually, you can sing a straight tone, but opera singers try to modulate the fundamental frequencies," he says. "So they make the tone, if you like, a bit more vibrant. Typically, an opera singer's vibrato has this frequency of about 5.5-6 Hz. Freddie Mercury's is higher, and it's also more irregular, and that kind of creates a very typical vocal fingerprint." You might be able to hear that vocal fingerprint in the vocals-only version of Queen's hit song "We Are The Champions" below.

YouTube

Herbst recently spoke with NPR's Kelly McEvers about his research on Mercury's voice. You can hear their conversation at the audio link.

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