The minor scale is the dominant scale for Trap songs. It generally feels deeper/darker than the major scale. The most interesting chords for Trap can be found among the commonly used triads of the minor scale. Four note chords are only rarely used, because most of the time they sound too smooth and jazzy.
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Read More »The scale The minor scale is the dominant scale for Trap songs. It generally feels deeper/darker than the major scale. Chords The most interesting chords for Trap can be found among the commonly used triads of the minor scale. Four note chords are only rarely used, because most of the time they sound too smooth and jazzy. You should prefer minor chords over major chords as they feel much darker. The notes of your chords should be very close to each other, because if they cover a larger range of the keyboard they feel too bright and open. Suspended chords are very interesting as well. Their ambivalent nature between major and minor chords adds to the gloomy atmosphere. Regarding chord progressions: Don't do too many chord changes. If you change chords too often, it will be hard to maintain a threatening atmosphere. Melodies Some notes of the minor scale are more interesting than others. Concentrate on those notes that are only one semitone apart from each other and make sure to play them in succession. The semitone interval sounds quite dissonant, so these melodies will strengthen the haunting mood. Many melodies use a very simple rhythm and are rather short. Take a small arpeggio for example. Play it back three times and do a small variation at the fourth repetition. This will add some diversity but will keep the basic atmosphere intact. Another trick to create some variation is to transpose the melody one octave up from time to time. In the following video Sundog is used to create a Trap song. The tutorial focuses on chords and melodies.
quarter note A quarter note (American) or crotchet (/ˈkrɒtʃɪt/ KROTCH-it) "Collins Dictionary". (British) is a musical note played for one quarter...
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