Piano Guidance
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What is a jazz arpeggio?

Jazz guitar arpeggios are the notes of a chord, played individually without any open strings. By eliminating open strings, the arpeggios become moveable "shapes" that can be used for all 12 keys. This is very useful for outlining chord changes during improvisation.

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Arpeggios in music can also be described as "broken chords", or any instance of the notes of a chord being played separately. However, in jazz, learning arpeggios is slightly different than in classical music. The arps can be very useful as is and will become atool that deepens your understanding of scale positions. However, please read these posts if you’re new to position playing: Jazz guitarists of all eras used arpeggios in their solos as a means to effectively “make the changes”. In this article, we will look into arpeggios derived from scale positions. Jazz guitar arpeggios are the notes of a chord, played individually without any open strings. By eliminating open strings, the arpeggios become moveable "shapes" that can be used for all 12 keys. This is very useful for outlining chord changes during improvisation .

Up to the 13th (aka “complete arp”)

Let’s start with the widest possibility for arpeggios which has seven different notes in the arp. Let's start in G with the “6-2” position (see above linked articles) and play something like this: The arp contains the notes G B D F# A C E G, which, in “scale degrees” means 1 3 5 7 9 11 13 and 1. In fact, this arpeggio contains all the notes present in the scale. That’s why it’s often called “complete”. It is the entire scale played in non-consecutive scale tones. To clarify; this is the scale on two octaves, and the 13th “complete” arp is bold: G A B C D E F# G A B C D E F# G 1 2 3 4 5 6 7 8 9 10 11 12 13 14 1 I like to describe this type of arp as “playing the scale and skipping every other note” or, “playing the scale by third intervals”. When you see arps like this, (as non-consecutive scale tones) learning the proper scale positions will automatically unlock all the possibilities for arps in every position. It is even more interesting and possible to unlock every arp for all seven major and melodic minor scale positions. It takes a bit of work, of course, but it’s well worth the effort! Go ahead and give it a try. Play seven note arps in seven positions seven days a week! (Just had to say it.)

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Points to keep in mind:

No matter what position, you will be playing all the notes present in the scale (by third intervals). Make sure that you keep the original fingerings found in positions. Be strict at first, then come up with your own fingering concepts for playing the 13th arps. fingerings found in positions. Be strict at first, then come up with your own fingering concepts for playing the 13th arps. It will be tempting NOT TO stretch the index or pinky. Be careful and make your hand “stay” as much as possible. (See, The Definitive Guide to Scales Positions for Guitar) For every position, start on the root and go up as far as possible … then down as far as possible. (aka “completing the position”) Some positions have more notes below, then above the root. Go as low as possible, no matter what. Here’s a good example (4-1 in G): Give this a try, don't think too much, just play (!) the 13th arps in the seven positions in major, then in melodic minor. Try it for a while and you’ll notice stuff happening in your playing.

Don’t Forget the “Negative”!

And, just to double the amount of stuff you can work on, (thus doubling the possibilities when you improvise) notice that every seven note arp has a “negative”, like photographic film. It is the arpeggios “on the flip side” so to speak!

Here’s what I mean (in G major, “6-2” position) :

Each position contains a “starting on the root” seven-note arp, plus “the other way around”. You are playing every possible third interval in each position… all over the neck in major and melodic minor. This is great to know! Again, go ahead, try it! If you do it in all 12 keys you will basically be playing ALL the available thirds (major and minor) on the entire fretboard. That is cool!

But, only thirds? (-;

Let's talk about the other arps in position (that are made of less than seven notes.) ...Triads and Seventh Chords

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