Piano Guidance
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What is a coffin piano?

In the mid to late 19th century we got an iteration of the piano that would soon become only an interesting footnote in its eventual development; the square grand piano. They are sometimes referred to as “coffin pianos” because when they are closed they look like a coffin.

Can you learn piano just by playing songs?
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How long does it take to play piano professionally?
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If you want to be a professional classical performer, you're looking at a minimum of 10 to 15 years of concentrated study with a master teacher,...

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You may have heard of a square grand piano, but I wouldn’t be surprised if you haven’t. Square grand pianos are an interesting side note in the development of the piano. They have a unique design that looks like a coffin when closed. But are they good instruments?

The piano has had a long development from the harpsichord to the early forte pianos from the Classical era. In the 19th century there was massive development of the piano bringing about the modern piano we know and love today. I have more information about this in my show, Living Piano: Journey Through Time – Historic Concert Experience. In the mid to late 19th century we got an iteration of the piano that would soon become only an interesting footnote in its eventual development; the square grand piano. They are sometimes referred to as “coffin pianos” because when they are closed they look like a coffin. These pianos are certainly distinct in their appearance but technically they are inferior instruments. Instead of aligning the strings with the keys – like a traditional piano – they are perpendicular. This means that the keys on one end of the keyboard are much longer than the keys on the other end of the keyboard. The part of the keys that are longer and shorter are behind the fallboard, not the part you see unless you remove the action – otherwise it appears as a normal keyboard to the player.

Here is an example of an action from a square grand piano:

Notice how the keys get shorter and shorter.

Because of this design choice, these actions were notoriously difficult to regulate with any kind of consistency. Only a skilled technician who is used to working with these type of actions can get them regulated properly. Yet, even then they don’t respond as well as modern piano actions. These instruments fell out of favor and the design was abandoned. They were not known to be particularly good instruments and they had problematic actions. However, the designs of the cases are particularly elegant and many of them have ornate carvings. These instruments are much better suited to a museum than in the home of a serious pianist. I welcome everyone’s comments and would love to hear your opinion of square grand pianos. Thanks again for joining me Robert Estrin [email protected] (949) 244-3729

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Yes, you can learn the piano by playing songs, although this approach won't equip you to play scales, arpeggios, or advanced classical repertoire...

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What is the paradox of memory?

This 'memory paradox' — that the absence of memory or the inability to recall memories properly in an emotional context leads to dysfunction, but that memories that generate too much emotion can also be disabling — was the subject of the Neuroscience & Cognition Dialogue between Richard Morris and Rachel Yehuda held ...

The formation, persistence and loss of memories present something of a paradox. On the one hand, the ability to form and later recall memories is vital for coping with the challenges of life. In both animals and humans, successfully 'remembering' important aspects of arousing situations may ensure a quicker and more appropriate response when an organism faces similar conditions in the future. The centrality of memory to human experience is poignantly illustrated by the consequences of its loss in the phenomenon of amnesia. The famous case of patient H.M.1, who had sustained and irreparable damage to the hippocampus, highlighted the importance of the hippocampus and related brain structures in the formation of new memories about experienced events (episodic or autobiographical), but also demonstrated that loss of memory can render individuals severely disabled. The loss of emotional memory can also be highly impairing, as evidenced by the severe social and emotional deficits experienced following lesions of the amygdala2. Clearly, declarative and emotional memories are key to quality of life and day-to-day functioning.

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