What is a 11 chord?

en.wikipedia.org - Eleventh chord - Wikipedia

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11. ( help · info ) Major eleventh chord, Cmaj

In music theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C11, C–E–G–B♭–D–F), minor eleventh (Cm11, C–E♭–G–B♭–D–F), and major eleventh chord (Cmaj11, C–E–G–B–D–F).[1] Using an augmented eleventh produces the dominant sharp eleventh (C9♯11, C–E–G–B♭–D–F♯) and major sharp eleventh (Cmaj9♯11, C–E–G–B–D–F♯) chords. [2] (C11 or C9sus4). ( help · info ) Dominant eleventh chord, with the third omitted – "as it appears in actual music"(Cor C). 11, with the third included. V11 in F major.[3] ( help · info ) Dominant eleventh chord, C, with the third included. Vin F major. A perfect eleventh creates a highly dissonant minor ninth interval with the major third of major and dominant chords. To reduce dissonance, the third is often omitted[4] (for instance 52 seconds into "Sun King" on The Beatles' Abbey Road in a dominant eleventh chord), turning the chord into a suspended ninth chord (e.g. C9sus4, C–G–B♭–D–F), which can be also notated as Gm7/C.[2] Another solution to this dissonance is altering the third or eleventh factor of the chord to turn the problematic minor ninth interval within the chord into a major ninth.[5] A dominant eleventh chord can be altered by lowering the third by a semitone for a minor eleventh chord, or by raising the eleventh by a semitone for a dominant sharp eleventh chord, implying the lydian dominant mode. As its upper extensions (7th, 9th, 11th) constitute a triad, a dominant eleventh chord with the third and fifth omitted can be notated as a compound chord with a bass note. So C–B♭–D–F is written as B♭/C, emphasizing the ambiguous dominant/subdominant character of this voicing. [6] ( help · info ) Voice leading for dominant eleventh chords in the common practice period. In the common practice period, the root, 7th, 9th, and 11th are the most common factors present in the V11 chord, with the 3rd and 5th typically omitted. The eleventh is usually retained as a common tone when the chord resolves to I or i.[6]

Relation to suspended fourth chord [ edit ]

The fourth degree is octave equivalent to the eleventh. The dominant eleventh chord could be alternatively notated as the very unorthodox ninth added fourth chord (C9add4), from where omitting the 3rd produces the more common ninth suspended fourth chord (C9sus4, also known as the jazz sus chord).

Should I learn scales or arpeggios first?

We always start with scales before learning arpeggios. And the first scale that we learn on the piano, is C Major. There's a reason for that! C major is at the top of what is called the Circle of Fifths.

instructables.com - How to Practice Scales and Arpeggios Effectively : 5 Steps - Instructables

Mastering our scales and arpeggios will make us a lot better at playing the piano. All music is based on scales; even arpeggios are. <---They are, simply put, broken up chords which are made up of notes from a scale! This lesson lays out the best path for you to take so that you can learn not just a few but all of your scales and arpeggios easily; with steady effort and a good metronome. :) When you feel that you understand the routine that I give you here, then get to your keyboard and go through the video at the end to reinforce what you have in your head. We always have to get what's in our head into our fingers! The first thing we're going to talk about is scales and the best way to learn and practice them.