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What color is C major?

Musical Key Colours and Characteristics. C Major - The key of childhood. Innocently happy and as pure as an angel. It's colour is azure.

stalybridgemusicacademy.com - Colours and Keys - Stalybridge Music Academy

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What colour does your day feel like?

What key are your favourite pieces today?

Do they match?

Musical Key Colours and Characteristics.

C Major - The key of childhood. Innocently happy and as pure as an angel. It's colour is azure. A Minor - A gentle, soothing key full of sadness. Looking out the window on a rainy day. It's colour is turquoise. G Major - Gentle, warm, lyrical, tender, and calm. Friendship, family, and happily ever after. The key of peace. It's colour is green. E Minor - A mysterious, nocturnal sort of key. Moonlight through the pines on a cool night. It's colour is dark, pine green. D Major - The key of celebration. It is a happy key full of sunshine and optimism. It's colour is yellow. B Minor - The key of patience. Calm acceptance of fate without complaint, contemplative and even a little sad. It's color is dark yellow. A Major - The key of youth and innocent young love. It is a bright and cheery key full of energy. It's colour is orange. F# Minor - A desperate key. Full of anxiety and worry. Thinking about the future. Its colour is purple. E Major - A warm, energetic key full of life and strength. Its colour is orange. C# Minor - Serious, solemn, mystical and contemplative. A moonlit night in October. Its colour is dark orange B Major - A strong key full of passion. Can express a variety of emotions. It's colour is purple. G# Minor - A serious, solemn, and sober key. Accepting the bitter truth. Its colour is dark brown. Gb Major - The key of love. Pink skies, purple clouds, Valentine's Day. Its colour is pink. D# Minor - A key full of sadness, betrayal, tears of agony, and a capacity for rage. Its colour is light brown. Db Major - A warm and comforting key, but also very sad and sorrowful. Recovering over a great loss. Its colour is vermilion red. Bb Minor - The key of the grave. Funereal, sorrowful, and depressing. It's colour is black. Ab Major - Like Db Major, it is a very sad key, but also very warm. It's colour is crimson red. F Minor - The key of mystery. A noir film in black and white or a misty city by night. Its colour is maroon. Eb Major - The key of masculinity. Strong, dependable, and loyal. Its colour is ultramarine blue. C Minor - An innocently sad key. A grey, cloudy afternoon in November. It's colour is gray. Bb Major - The key of national pride. A hopeful and optimistic key. It's colour is green. G Minor - A calm but very sad key. A cold, windy day at the seaside. It's colour is light blue. F Major - The key of nature and femininity. Calm, sweet and childlike. Its colour is scarlet red. D Minor - An autumnal key. Gloomy and depressing. A misty morning in October. It's colour is mauve.

What do you think?.

Shared from the group Pianists and Piano Lovers, posted by Adorjan Tomlinson https://www.facebook.com/groups/2371398774/

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Can you sing a song in any key?

Theoretically you can play any melody and chord progression for a song in any key. But a song will often work best in certain keys and usually the key it was written in for a specific instrument.

mandolincafe.com - so a song can be played in any key, but is it? Usually? - Mandolin Cafe

Originally Posted by allenhopkins Originally Posted by

Tunes written for, or on, a particular instrument, tend to be in the keys most easily played on that instrument. Not invariably, but remember that many of these were composed -- not really "written," in many cases -- by folk-type musicians without formal orchestral training. A trained classical violinist has little problem playing in almost any key, but a country fiddler tends to work out of the "open string" keys on his/her instrument: D, A, G, relative minors thereof, sometimes F or C. Similarly, bluegrass banjoists are generally tuned to an open G chord, and use capos to play in other keys: A, B-flat, B, C. They and the fiddlers and mandolinists work to reach mutually acceptable keys. Most vocalists can go up or down "one fret" -- a half step -- so instead of insisting on E-flat, they can be talked into D or E. Not always, though. The great bluegrass fiddler Kenny Baker was asked if liked spending so much of his career playing in Bill Monroe's Blue Grass Boys, and supposedly replied, "It's fine -- if you like playing in B all the time." That was a favorite vocal key of Monroe's; perhaps Baker would rather have been playing in A. Or even C.

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