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What chord did David play to God?

A simple take on it would be that David played a secret chord that 'goes like this': IV – V – vi – IV.

classicfm.com - What is the 'secret chord' mentioned in Leonard Cohen's 'Hallelujah'?

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What is the ‘secret chord’ mentioned in Leonard Cohen’s ‘Hallelujah’?

By Sofia Rizzi

Leonard Cohen hides a sneaky message in his lyrics, and it's all amazingly reflected in the music. Below are the somewhat confusing lyrics of the first verse of Leonard Cohen’s best known song, ‘Hallelujah’.

Now I’ve heard there was a secret chord

That David played, and it pleased the Lord

But you don’t really care for music, do you?

It goes like this

The fourth, the fifth

The minor fall, the major lift

The baffled king composing Hallelujah.

It’s all about chords, music, numbers, minor and major. But what does it all mean?

The ‘secret chord’

The ‘secret chord’ is a biblical reference. David was a King from the Hebrew bible, and although we all mostly remember him for being the underdog who defeated Goliath, he was, first and foremost, a musician. So we know David played a ‘secret chord’, whatever that may be. The next part of the verse explains this a little further... ‘it goes like this’.

The fourth, fifth, minor fall and major lift

The line ‘the fourth, the fifth / the minor fall, the major lift’ is in fact a description of the chord sequence taking place under those words. Here's the breakdown: – 'The fourth': This phrase sits on the fourth chord of the scale, or sub-dominant chord (IV) of F major. – 'The fifth': The melody moves up one note to the fifth chord of the scale, the dominant (V) of G major. –'The minor fall': Again, the melody moves up one note here to the sixth chord, the submediant (vi) of A minor. The 'fall' in this phrase is referring to the minor, or 'fallen' third of the chord. –'The major lift': This is a first inversion chord of the fourth, or sub-dominant (IV) of F major. The 'lift' refers to the chord changing from a minor to a major chord, and in the process 'lifting' the harmony. There is only one changing notes in this chord, it moves from A–C–E to A–C–F. It's Leonard Cohen giving a subtle nod to musicians – and for non-musicians, it's an actual explainer of what's going on in the music.

What does this mean?

A simple take on it would be that David played a secret chord that 'goes like this': IV – V – vi – IV. But of course, that isn't just one chord, it's a chord progression.

So is David's 'secret chord' in fact the underlying chord progression of the song – which in essence makes up the whole song?

Meanwhile, the whole song and its message is 'Hallelujah' – so is Cohen saying that the song itself is the 'secret chord'?

Cohen's lyrics and harmony leave a lot to the imagination – which is maybe the whole point. He himself said that he chose the word 'Hallelujah' because it means so much in so many ways.

All in all, we're very impressed and a little confused, Mr. Cohen.

Buy Leonard Cohen's 'Hallelujah' here >

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Notes and Conclusion We also haven't included every possible combination of notes on the fretboard, or anything with a root above the 24th fret. However, all of the guitar chords used in an academic and/or practical sense are accounted for, bringing our number of guitar chords to the 2210 total.

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This is a difficult question to answer because there are multiple answers you could give, some of which depend on how you define a chord on the guitar. First, we would have to decide if we're looking for the number of common or "playable" chords or if we're trying to determine every possible combination of notes on the fretboard. We also have to decide whether we're including chords that are so extremely dissonant, as to never possibly be useful in any type of music. In most cases, chords like this that are impractical or impossible to play from a physical standpoint, would be omitted from our total. Then, we need to define a chord, where the debate is generally over whether to start considering a chord at two notes or three. Most music theorists of the 20th century have accepted that you must have at least three notes - a formal or informal triad - to be considered a chord. For the sake of answering our question, we'll start there and break it down into categories.

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