They are variations of musical scales that give various emotions and feelings. There are seven musical modes: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. These modes are constructed from the seven scale degrees of a major scale.
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Read More »What are music modes? Michael Emenau explains the musical theory behind modes, how to construct them, and how they differ from regular scales. He also shares tips for using modes in your music.
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Read More »There are certain ways we use scales and modes to define our melodies. The difference between Ionian and Phrygian is not the notes used, but rather the notes being emphasized. For example, the Phrygian mode emphasizes the ‘E’ and ‘B’ notes, which has a different feeling than emphasizing the ‘C’ and ‘G’ notes in Ionian mode. The video below explains the different this concept further: It’s essential to establish the tonal center for the mode you use in your music, as this gives you the flavour of each mode. This concept is the same as using major and minor scales to evoke a different feeling or flavour. Below are a few examples of how to establish the tonal center for a melody. Focus on the tonic : Doubling the note, repeating it, or using it as a landing note. : Doubling the note, repeating it, or using it as a landing note. Melody range emphasis : Making the tonic note the highest or lowest in the melody. : Making the tonic note the highest or lowest in the melody. Rhythmic emphasis : Placing the note on downbeats, or sustaining the note for a longer duration. : Placing the note on downbeats, or sustaining the note for a longer duration. Bassline: Have the bass play the tonic or land on the tonic consistently. Note the unique feeling and flavour each tonal center lends to your composition when constructing them.
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