Piano Guidance
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What are 4 notes called in music?

quarter note A quarter note (American) or crotchet (/ˈkrɒtʃɪt/ KROTCH-it) "Collins Dictionary". (British) is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem.

en.wikipedia.org - Quarter note - Wikipedia
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Musical note duration

"Crotchet" redirects here. Not to be confused with Crochet , the needlework technique.

"Negra" redirects here. For other uses, see Negra (disambiguation)

"♩" redirects here. For the general description of the symbol, see Musical note A quarter note (crotchet) with stem pointing up, a quarter note with stem pointing down, and a quarter rest Four quarter notes. Quarter notes are the smallest note value not beamed together.

Comparison of duple note values (= 2×, etc.)

A quarter note (American) or crotchet ( KROTCH-it) "Collins Dictionary". (British) is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem. The stem usually points upwards if it is below the middle line of the staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .[a][1]

History [ edit ]

The note derives from the semiminima ('half minim') of mensural notation. The word "crotchet" comes from Old French crochet, meaning 'little hook', diminutive of croc, 'hook', because of the hook used on the note in black notation. The quarter note is played for half the length of a half note and twice that of an eighth note. It is one beat in a bar of 4 4 . The term "quarter note" is a calque (loan translation) of the German term Viertelnote. The names of this note (and rest) in many other languages are calqued from the same source; Romance languages usually use a term derived from the Latin negra meaning 'black': The Catalan, French, Galician, and Spanish names for the note (all of them meaning 'black') derive from the fact that the semiminima was the longest note to be colored in mensural white notation, which is true as well of the modern form. The Bulgarian, Chinese, Croatian, Czech, Japanese, Korean, Norwegian, Polish, Russian, Serbian and Slovak names mean "quarter" (for the note) and "quarter's pause" (for the rest).

See also [ edit ]

Notes [ edit ]

^ Examples of the older symbol are found in English music up to the late 19th century, e.g. W. A. Mozart Requiem Mass, vocal score ed. W. T. Best, pub. London: Novello & Co. Ltd. 1879.

References [ edit ]

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A keyboard instrument provides a lot more freedom in terms of the number of notes that can be sounded together and the distance between them. It's difficult on a guitar to play a fluidly moving bassline and a chord pattern two octaves above; it's trivial on a piano.

Songs that I hear that are piano based - ie. composed and originally performed on piano, seem to have a different feel than those composed on guitar. The flow, the movement, the chords used - are often very different for piano based songs vs. guitar based songs. I don't mean which instrument they are played on. Any song can be played on either instrument. I am referring to which instrument was used by the composer, to compose or write the music. I am also not referring to a situation where someone takes a song, and composes an arrangement for one instrument or the other. I find many songs written on piano, are more difficult to translate to an arrangement for guitar and maintain the same feel as the original played on piano. This is the source of my conclusion that there is something organically different between the two instruments as it applies to the way songs evolve from them. I compose all of my original music on guitar because I am more proficient on that instrument. But I am wondering if I might get some interesting variations in my melodies and progressions if I started to compose some of my music on piano. And I wonder if some ideas or emotions that I want to convey lyrically, can be conveyed more effectively musically, on piano than on guitar.

What are some of the reasons that a song would manifest or evolve differently if composed on piano than if composed on guitar? And what type themes or ideas suggested by the lyrical content of a song (in the country, folk, pop, or rock genre') might be more effectively conveyed on piano than guitar?

EDIT: note addition of questions about how each instrument might better convey lyrical concepts musically.

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