Piano Guidance
Piano Guidance
Photo: Pixabay
The I, IV, and V chords are the three most common and arguably the most important harmonic elements in the musical universe. Built off of the first, fourth, and fifth notes of any major or minor scale, these three chords form the basis for much of the music found in several genres.
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No matter when you begin piano, you can have the enjoyment of playing an instrument, plus all the great mental, physical, and emotional benefits....
Read More »The I, IV, and V chords are the three most common and arguably the most important harmonic elements in the musical universe. Built off of the first, fourth, and fifth notes of any major or minor scale, these three chords form the basis for much of the music found in several genres. While you may already have a basic understanding of this concept, a deep knowledge of the tried-and-true fretboard applications of this triumvirate will make you a more versatile player and composer.
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Read More »C♯ and D♭ are enharmonically the same. This means that they are played by the same key on a piano, but they have a different musical meaning and they actually should sound a tiny bit different (although the difference is minimal).
In equal temperament, the keys are equivalent. But there are two things to consider... First, the number of sharps or flats in the key signature. In general, Db would be preferred over C#, because your key signature will have five flats instead of seven sharps. You'd prefer B over Cb because the key signature will have five sharps instead of seven flats. The keys of F# vs Gb are a toss-up: you have six altered pitches either way. But the second consideration is the one important to your question, because you mentioned clarinets - they're a transposing instrument. If you're writing for only "C instruments" (which produce a C pitch for a written C, even if that pitch is in a different octave) there's no general preference. But not all instruments are C instruments. French horns are "in F" - when a C is written, an F sounds from the instrument. As a consequence, French horn music will have one more sharp (or one less flat) in the key signature to sound the same as the C instruments. Clarinets, trumpets, and tenor saxophones are "in Bb". When a C is written, Bb sounds - so they need two more sharps or two fewer flats. And the Eb instruments like alto sax or alto clarinet are going to need three more sharps, or three less flats. So if you're writing a piece that could be in F# or Gb, and you're going to include an alto sax, they'll be looking at either three flats or nine sharps (yes, nine - double sharps on the F and G). Flat keys are preferred for any piece that includes the transposing instruments. Nobody likes seeing double sharps in a key signature.
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