Switching to Dvorak isn't something I'd recommend to anyone who can already touch type using QWERTY. There's no conclusive evidence that it'll make you faster, and learning is a pretty painful process if you need to type with even the slightest sense of urgency.
The C major scale has no sharps or flats, this scale was created before the piano. When they created the piano (or whatever similar instrument...
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Read More »In the world of technology, almost nothing is constant. The mainframe gave way to the desktop, which stepped aside for the laptop, which has been superseded by the smartphone as our primary computing tool. Company-wide emails are now Slack channel alerts. Even USB Type-A, which has clung to relevance for a quarter of a century, is gradually being supplanted by USB-C. In this context, the resilience of the 146-year-old QWERTY layout is remarkable. Not only did it survive the transition from typewriters to keyboards, but it’s also survived the decline of the physical keyboard itself, as we do more and more of our typing on touchscreens. Yet despite its success, for the past decade I’ve opted to use the Dvorak layout, an alternative to QWERTY that was invented in the 1930s, and one that’s supposed to be a faster way to type. There’s a popular idea that QWERTY was designed for reasons other than typing speed Spend enough time on the internet and you’re bound to hear Dvorak discussed, normally in response to the supposed shortcomings of QWERTY. You might hear stories that the QWERTY layout was intended specifically to slow down typists working on traditional typewriters, because their machines would jam if two adjacent letters were pressed in quick succession. Another popular myth claims that the layout was designed to allow someone to type the word “typewriter” on its upper row, although it stops short of explaining why. There’s not enough evidence to conclusively prove any of these stories. In fact, the real reason likely has to do with the formation of a typewriter cartel in 1893, which caused its members to standardize the QWERTY layout for their models. But the common thread throughout each of these origin stories is the idea that the QWERTY layout was designed for reasons other than pure typing speed. The stories might not have been true, but that didn’t stop my curiosity about the alternatives, which is how I became a Dvorak user in 2009. Now, 10 years after making the switch, I’m fairly confident it made me a faster typist, but not for the reasons you might expect.
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