Is liking music genetic?

Born to buy music, but not to listen to it While genetic influence on the music we like (55%) is clear, genes have a significantly lower influence (25%) on our motivations for listening to music.

medicalxpress.com - 'Nature or nurture' study reveals 'musical genes' (w/ Video)

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(PhysOrg.com) -- If you've ever wondered why a close group of friends might like completely different types of music, blame their genes. A study by Nokia and Kings' College London into the musical tastes of nearly 4,000 twins reveals genetic influences on the music people like varies with genre. While, on the whole, musical taste is determined just as much by nature as it is by specific individual experiences, nature's influence is strongest on appreciation of pop, classical and hip-hop music - indicating some people may be born to love Michael Jackson, Beethoven or Jay-Z.

A love of pop and classical music is partly in our genes

Nature's influence is lowest on appreciation of folk and country, where family upbringing appears to play a role - so a CD collection full of Hank Williams, Dolly Parton and Joni Mitchell can't necessarily be blamed on genetics:

Genre Nature's Influence Pop/classical/rap/hip-hop 53% Jazz/blues/soul 46% Rock/indie/heavy metal 40% Country/folk 24%

The study, conducted by Nokia and Kings' College London Department of Twin Research, investigated the listening habits of nearly 4,000 twins and looked at the influence of both genetic and environmental factors on musical taste. As might be expected, genetic influences decrease over time as individual experiences becomes more important. Excluding country music - on average for the under 50s, genes have more influence (55%) than environmental factors (45%), whereas for the over 50s, the influence of individual specific environmental factors on a music collection increases to 60%.

Genetic influence ranking by genre for under and over 50s

Under 50s

- 56% Jazz/blues/soul

- 55% Pop/classical/rap/hip-hop

- 53% Rock/indie/heavy metal

- 0% Country/folk

Over 50s

- 43% Pop/classical/rap/hip-hop

- 42% Jazz/blues/soul

- 34% Rock/indie/heavy metal

- 28% Country/folk

Born to buy music, but not to listen to it

While genetic influence on the music we like (55%) is clear, genes have a significantly lower influence (25%) on our motivations for listening to music. According to the research, listening habits are influenced by a desire to soundtrack our day, wanting to set a mood, or simply to enjoy the listening experience rather than any 'play music now' gene. The research was conducted amongst identical (MZ) twins and fraternal (DZ) twins. MZ twins share 100% the same genes, whereas DZ twins share half the same genes, just like ordinary siblings. Assuming the shared environment they grew up in is equally similar for MZ and DZ twins, it is possible to conclude that any greater similarity in musical taste between identical twins than non-identical twins is due to genetic influences.

Provided by Nokia

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What are the lines on sheet music called?

staff, also spelled stave, in the notation of Western music, five parallel horizontal lines that, with a clef, indicate the pitch of musical notes.

britannica.com - staff | music - Britannica

staff, also spelled stave, in the notation of Western music, five parallel horizontal lines that, with a clef, indicate the pitch of musical notes. The invention of the staff is traditionally ascribed to Guido d’Arezzo in about the year 1000, although there are earlier manuscripts in which neumes (signs from which musical notes evolved) are arranged around one or two lines in order to orient the singer. Guido used three or four lines of different colours. A four-line staff is still used to notate plainchant. The standard five-line staff appeared in about 1200 in polyphonic music. Some 16th-century keyboard music used staves of more lines. Modern keyboardists play from two combined staves: one for the right hand in treble clef, and one for the left in bass clef. A precise staff notation made possible composition of the complex polyphonic works that characterize Western art music.

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