Learning to play by ear can be difficult, but after some focused practice you'll be able to give context to the things you're hearing. This context will help point you in the right direction as far as rhythm, melody, and chord structure goes.
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Read More »We generally group musicians into two categories: those who can read music, and those who play by ear. Like many things in life, this is an idea that over-simplifies things and doesn’t really explain musicians accurately. Strong musicianship happens when a combination of strong listening, music reading, and understanding of musical ideas happen. The popular notion of “you’ve either got it or you don’t” when it comes to the way we think about playing by ear is also wrong. Yes, some people are gifted with stronger senses of pitch and rhythm than others, but everyone can benefit from learning some basic music fundamentals that can help someone to play by ear. The main difference between reading music and playing by ear is process. Reading from sheet music basically means following instructions that have been meticulously written in order for you to understand and perform a piece of music exactly the way it was intended to be. To play by ear is a whole other ballgame. Playing by ear requires a musician to develop an incredibly important skill in music: listening. This is a skill that lone musicians in practice rooms who spend hours and hours on developing their technique often forget to pay attention to. As musicians, if we fail to listen to the other musicians we’re playing with, we’re missing the forest for the trees. This means that there’s huge benefits in putting the sheet music away and trying to figure out how to play a piece by simply listening to it.
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Read More »Taking the time to listen and clap out the pulse of a song or piece of music will help you to determine how the rhythm is organized. If you’re new to trying to play by ear, it’s a good idea to start with music that features conventional time signatures (4/4, 3/4, etc). Your main goal here should be to find where the strong beats are. Are the beats grouped in fours? Then the music you’re listening to is probably in the time signature of 4/4. Are they grouped in threes? Then you may be hearing music written in 3/4 or even 6/8 depending on the speed and feel of the music. Try to determine the tempo (speed) of what you’re listening to so you can match it later.
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Read More »fortississimo fff ("triple forte"), standing for fortississimo and meaning "very very loud".
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