Piano Guidance
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Is it OK to put a piano in front of a window?

First, avoid placing it in front of a window – especially a single pane design. Direct sunlight and exposure to the greater temperature changes can damage the finish and cause premature aging. It can also cause it to go out of tune more quickly.

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Clients often ask “Where should I place a piano in my home”? Or, “Is it bad to put to place a piano against an outside wall”? Or sometimes just, “What is the best direction to place a piano”? These are great questions. This is definitely something to spend a little time deciding as it can affect the tuning stability, performance quality and longevity of the instrument. There are a few things to consider when choosing a location for your piano. First, avoid placing it in front of a window – especially a single pane design. Direct sunlight and exposure to the greater temperature changes can damage the finish and cause premature aging. It can also cause it to go out of tune more quickly. Adding window coverings can help stop the sunlight problem, but will do little to retard the temperature fluctuations. In many areas of the United States, the temperature fluctuation of a home’s outside walls are drastic. Placing a piano against or close to these walls should be avoided. Here in Southern California this is not a significant problem if the home is newer and has been constructed using modern insulation codes. When in doubt, try placing your hand against the outside wall and compare its temperature to other inside walls. If it feels significantly warmer or cooler, avoid placing your piano near it. Next, look where the heating and air conditioning vents are located, and avoid placing the piano in the direct path of the airflow. This will also cause the piano to go out of tune more quickly. Here’s why. The sounding board of the piano is made of wood, a material that will absorb and desorb humidity. Expansion and contraction of the sounding board, due to changes in humidity levels, are a major reason pianos go out of tune. The percentage of moisture present in air is directly related to its temperature. Warmer air can, and often does, have higher levels of humidity. In the colder months, we turn up our furnaces to raise the temperature of the air. However, this warmed air contains the same amount of moisture. But, this makes its relatively humidity lower when compared to the warmer air temperature. Your house becomes dryer or less humid. This causes the piano sounding board to dry out and contract. The opposite happens when we turn on our air conditioner in the warmer months. Also, avoid placing the piano in the pathway of a breeze. A common example is one that is created when you open a window on the back side of your home coupled with having the front door open to create an airflow through the house. Doing this affects the piano in a similar way as placing it near an air vent. Another consideration when placing a piano relates to how it sounds in a room. The bottom side of a grand piano and the back side of a vertical piano are open by design. The size and shape of the room, as well as, wall and floor surfaces can have a lot of influence on the loudness and tone of your instrument. Hard surfaces in a small room can make an otherwise nice sounding piano too loud and bright. This is especially true for grand pianos on hard tile floors. Conversely, many overly bright pianos can sound more pleasing when placed in a carpeted room with soft furniture and wall fixtures.

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What is the most evil key in music?

The Most Evil Chords in Music C Diminished 7. D Minor (add b6) Dm/G.

Are you looking for evil sounding chords to use in your music? Now, there are of course different “types” of evil sounding harmonies in music. And then there are variations of these main types, which you can shape and color with chord inversions, different choices for layering certain notes, weight and instrumentation per voice etc.

Let’s learn the sound of evil chords and harmonies in music! =)

The Most Evil Chords in Music

C Diminished 7 D Minor (add b6) Dm/G

I would personally make two main distinctions of “evil chords”. The first type is a very dissonant and high tension harmony, very good for creepy atmospheres, scary background music, spooky vibes etc. And the other kind is more about powerful evil, like an evil boss, hardcore villain, demon, monster, or that kind of vibe.

1. Most Evil Chords – Tension and Dissonance

The main thing you need to learn here, are the most dissonant intervals in music, and then build chords and harmonies from those. Here they are:

Minor 2nd

Tritone

Minor 9th

Chords using any of these intervals, such as a diminished chord or an “add b9” chord, or an inversion that creates a minor 2nd interval, will be great for a dissonant and high tension mood in your music.

2. Most Evil Chords – Evil and Powerful

Now the main difference here, is that instead of chaos and dissonance, you create harmonies with a lot of weight on the root and 5th. This is what will create that sense of power. Then you sprinkle in some tension from a minor 3rd, or even a higher tension interval. However, sometimes a classic power chord is even exactly what you need for maximum focus on power. Here are some examples of evil and powerful chords:

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