Is G minor a sad key?

G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No.

en.wikipedia.org - G minor - Wikipedia

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Tonality

G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn.[1]

The G natural minor scale is:

Audio playback is not supported in your browser. You can download the audio file Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can download the audio file Audio playback is not supported in your browser. You can download the audio file

Mozart's use of G minor [ edit ]

G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy,[2] and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B♭ alto.[3] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B♭, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771.[4]

Notable works in G minor [ edit ]

References [ edit ]

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What are 13th chords used for?

13th chords are used as Dominants the same way. In a blues setting, you can use a 9th (or 7th, or 13th) chord for all three of the main chords, I, IV and V (CFG, DGA, etc.). Regular 11th chords are not as common as #11 chords. An example of an 11th chord would be an F major chord played over a G bass note.

music.stackexchange.com - Is there a general rule when to use a 9th, 11th, and 13th chord on piano

I recommend The Jazz Piano Book by Mark Levine for a fuller explanation of this, but there are some guidelines. In a Western Music context, you can add a 2 or 9 to just about any chord. A true 9th chord also includes the flatted 7th. That chord is most commonly used as a dominant, so a G9 in the key of C, A9 in the key of D, F9 in the key of Bb, etc. The Dominant or V chord is most typically followed by the Tonic, or I. 13th chords are used as Dominants the same way. In a blues setting, you can use a 9th (or 7th, or 13th) chord for all three of the main chords, I, IV and V (CFG, DGA, etc.). Regular 11th chords are not as common as #11 chords. An example of an 11th chord would be an F major chord played over a G bass note. Some folks call that F/G, while jazzers sometimes call it a Gsus4. It is often seen where G is the Dominant (C is the Tonic), and sometimes resolves to a regular G chord or G7 chord. #11 chords are often used to spice up Tonic chords (I) and Sub-Dominant chords (IV). This is a very "off balance" sound, and comes up in jazz a good bit. A C#11 chord could be voiced as a D with a C bass, or D/C.

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