This rule of thumb also applies broadly to feature film scripts. So, if you want to write an hour-long pilot for a traditional network, aim for around 44 or 45 pages. If you plan to write an hour-long pilot for a premium channel or streaming service, aim for a script in the neighborhood of 55-65 pages.
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Read More »How Long is a TV Show Script How film and television scripts differ Television scripts, which are also known as teleplays, are similar in style and formatting to feature-film screenplays but diverge in a couple of key areas. If you are used to writing films, be sure to take a moment to step back and reset your brain before diving straight into a teleplay. As you can see in the excerpt above, the pilot for Breaking Bad was broken up into acts. For more on the writing of the show, read our analysis of how Breaking Bad uses symbolism. But, the pilot for a show written for a streaming service like Netflix, such as the Stranger Things pilot, might not be broken up into acts because the streamer does not interrupt its shows to air commercials. The other key technical difference between a film screenplay and a teleplay is the length as calculated by the page count. However, the ideal page count for a television script is not quite as cut and dry as it is with features. The ideal page count for a teleplay will vary depending on the type of show being made. How Long is a Script for a TV Show The different types of teleplay Scripted television shows, and their teleplays by extension, tend to fall into one of two types, which can then be broken down into further subcategories. These two primary types are: hour-long and half-hour. As the names imply, the key distinction between these two types is the runtime of a finished episode. Beyond length, there are common stylistic differences between the two types as well. Half-hour shows are most commonly comedies, while hour-long shows tend to be more dramatic, though there are exceptions on both sides. There are also certain television shows that don’t conform to either length. Some shows might run less than a half-hour, such as some children’s programs or Adult Swim shows, while other series might run as long as a feature film every episode. Lengthy episodes that surpass the hour-and-a-half mark are not uncommon on UK television or in mini-series programming. As you might guess, a longer running time for an episode typically demands a longer teleplay.
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Read More »In both of these examples, the standard runtime calculation of one page equals approximately one minute of screen time holds true. This rule of thumb also applies broadly to feature film scripts. So, if you want to write an hour-long pilot for a traditional network, aim for around 44 or 45 pages. If you plan to write an hour-long pilot for a premium channel or streaming service, aim for a script in the neighborhood of 55-65 pages. How Many Pages is a 30 Minute TV Script Half-hour teleplay page counts The one-page-per-minute rule might hold true for most television dramas, but it does not apply to all scripts universally. There are two major exceptions to this rule in television writing: multi-camera sitcoms and animated comedies.
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Read More »The other key difference between these two types of sitcoms is the script length. Single-camera comedies tend to stick relatively close to the one-page-per-minute rule but often go a little bit over, since comedy tends to play faster than drama. The pilot script for Community was 33-pages long. Let’s compare that to a multi-camera sitcom. This script for an episode of Friends is 44-pages long. Despite the finished episodes of each show having similar runtimes, the script for Friends is a full 11-pages longer. One reason why multi-camera sitcoms tend to necessitate longer scripts is because they rely more heavily on dialogue and utilize fewer locations than the average single-camera series. Dialogue takes up more page-space in a script than action lines, inflating the page count beyond the one-page-per-minute rule. Animated teleplays tend to have page counts more in line with multi-camera comedies than single-camera comedies.
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