How is Elton John so good at piano?

As a teenager he trained at the Royal Academy Of Music in London and he says that this classical training shaped his unique style of rock, funk and blues. We've picked out some of the best songs and most virtuosic improvisations which sum up the genius of Elton John.

classicfm.com - Here's why Elton John is a piano genius - Classic FM

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Here’s why Elton John is a piano genius

Classically trained, but married to rock’n’roll - here’s how Elton John snuck superb pianism into the mainstream. Today, Elton John is announcing his retirement from music, after a career spanning nearly 50 years. At the age of 70, Elton is one of the top three ranking artists in the history of the American Charts. He’s had 38 gold and 31 platinum or multi-platinum albums, sold more than 250 million records worldwide and to top it all off, he’s a Brit. As a teenager he trained at the Royal Academy Of Music in London and he says that this classical training shaped his unique style of rock, funk and blues. We’ve picked out some of the best songs and most virtuosic improvisations which sum up the genius of Elton John. As many aspiring pianists soon find out, Elton John’s piano parts are very difficult to play. Often they run counter to the vocal melodies which go over the top, to allow for Elton’s famous flourishes, and this means that his melodies are very rarely doubled in the piano part. His 2009 live performance of ‘Don’t Let The Sun Go Down On Me’ is a perfect example of this style, with his characteristic arpeggiated flow in the right hand broken up by some funky syncopated octaves. The ability to play within a strong groove is an elusive skill which sets real masters apart from their peers. Here’s a recording of the straight rock song ‘Take Me To The Pilot’ from 1970. His sense of style here is absolutely flawless. Listen to the strength of the groove at 04:45 when he cuts it right back to just a few stabs: When Elton John includes ‘Take Me To The Pilot’ in a live set, he often runs up to it with an extended improvisation, giving free rein to his virtuosic playing. Check out this recording from Tokyo in 1998. Don’t be deceived by his heavy touch in the first minute, the solo builds to something really amazing: The first track on the LP Goodbye Yellow Brick Road, is a rare example of Elton John letting the piano do the talking. ‘Funeral For A Friend’ is a purely instrumental track, inspired by musings on his own funeral, and it sounds like a cross between Bowie, Queen and a precursor to Jeff Wayne’s War Of The Worlds. Yawning slides on electric guitar and fluttering synths elaborate the piano solo: ‘Someone Saved My Life Tonight’ from 1975’s Captain Fantastic And The Brown Dirt Cowboy has one of Elton John’s most memorable piano parts, and it comes from a significant turning-point in the singer’s life; the moment when he realised he couldn’t marry his fiancé Lisa Woodrow. The piano part echoes his turmoil with churning parallel octaves in the bass which drive the music forward right to the end of the song: Just a couple of years ago Elton John turned up at St. Pancras to give an impromptu performance on a street piano he had donated to the station. It’s heartening to see that despite being thrust into the highest rank of stardom, Elton John has stayed in touch with his roots as a pianist and proved that he’s still in love with this wonderful instrument.

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Why were the Lost gospels thrown out?

One possible reason they were not included in the emerging New Testament is they were not meant to be part of a wider canon or to be read as scripture in church - instead each one was meant to be read by an elect few.

bbc.co.uk - What do the lost gospels tell us about the real Jesus? - BBC Teach

Why were the lost gospels thrown out?

In the 2nd-3rd Centuries there were attempts to work out which of the gospels should be read as scriptures. The four gospels of the New Testament - Matthew, Mark, Luke and John - were already being used as scriptures in early church services in Rome and perhaps other places too. These gospels were probably written in the mid to late 1st Century. They were accepted as either written by Jesus’ apostolic disciples or the followers of these disciples. Some of the lost gospels were written significantly later, in the 2nd and 3rd Centuries - and this would have counted against them.

No mass appeal

In comparison to what became mainstream Christianity, which was open to all who believed, the lost gospels were sometimes elitist. They spoke of the mysterious way to finding enlightenment through understanding the hidden meanings in Jesus’ words. One possible reason they were not included in the emerging New Testament is they were not meant to be part of a wider canon or to be read as scripture in church - instead each one was meant to be read by an elect few.

Roman Empire

When the Roman Emperor Constantine converted to Christianity in 312, he wanted to use it as a way of unifying his fragmented Empire. There was then a concerted effort to standardise Christian doctrines and to promote an agreed canon of New Testament scriptures. So some of the “apocryphal” writings were side-lined, or even suppressed. But the vast majority simply stopped being reproduced. By the end of the 4th Century, the Gospels of Matthew, Mark, Luke and John were widely accepted as integral to the 27 texts which constitute the New Testament. Together with the Old Testament, these form the canon of Christian sacred scriptures.

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