When jazz musicians improvise they are playing notes that they “hear” (imagine” in their mind; they hear these notes just a split second before they play them, just like when you are talking and you hear the words in your head just a split second before you same them.
In 1990, a global treaty was signed, banning trade in all kinds of rhino or elephant ivory. Pianos with ivory keys are no longer manufactured, but...
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Read More »“In Jazz, improvisation isn’t a matter of just making any ol’ thing up. Jazz, like any language, has its own grammar and vocabulary. There’s no right or wrong, just some choices that are better than others.” – Wynton Marsalis
'La Campanella', which translates as 'little bell', comes from a larger work – the Grandes études de Paganini – and is famous for being one of the...
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Read More »The Mixolydian scale is surely the most obvious choice when you want to improvise over dominant 7th chords. It is built with a root (1), second (2), third (3), perfect fourth (4), perfect fifth (5), sixth (6) and minor seventh (b7).
The first thing to do before starting exploring the twelve different scales shown in this lesson is to understand how to build a basic dominant 7th chord and what its role is.
The hydraulophone is one of the rarest musical instruments in the world. This instrument is a sensory device that is primarily designed for low...
Read More »Although people do perceive major chords as more emotionally positive than minor chords, the happiest sounds of all are seventh chords – major or...
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Read More »Dua Lipa's vocal range is G#2 – D5 – A5, approximately 3 octaves. Dec 19, 2020
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