Of the five personality traits we measured, music taste is best able to detect Emotional Stability and Conscientiousness. While these two traits are significantly related to age and gender [3], they also may signify a connection between the common uses of music to regulate emotion or match goal-oriented behavior.
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Read More »A selection of significant correlations for Conscientiousness and Openness, organized by variable category (blue = derived, orange = genre, green = mood). A selection of significant correlations for Agreeableness, Emotional Stability, and Extraversion, organized by variable category (blue = derived, orange = genre, green = mood). When we look at the correlations to individual metrics, we see that mood and genre information are the strongest connections to personality traits. Those who self-assessed as more “open to new experiences” tended to listen to more Classical, Afropop, or “Sentimental” music (e.g. “Freddie Freeloader” by Miles Davis, “April Come She Will” by Simon & Garfunkel). Listening to Blues or “Brooding” music (e.g. “Take Care” by Drake, “Karma Police” by Radiohead) has an inverse relationship with self-assessing for “emotional stability,” while listening to Soul or “Lively” music (e.g. “Down On The Corner” by Creedence Clearwater Revival, “Let The Good Times Roll” by Ray Charles) correlates positively. People who listen to Death Metal or “Aggressive” music (e.g. “Boss” by Lil Pump, “Last Resort” by Papa Roach) tended to have less “agreeable” self-assessments, while people who listen to Jazz or Country had more. These connections extend past what people listen to and also relate to how people listen to music on Spotify. People who listen more to Discover Weekly tended to identify as more “open to new experiences,” as did people with higher all-time track discovery rates. Those who scored high in Conscientiousness tended to concentrate their listening to a more narrow window of time of day than those who scored lower in that trait. People whose results identified them as extroverts tended to listen more to others’ playlists, potentially indicating more reliance on their social network’s music suggestions. Self-assessed introverts, on the other hand, tended to dig deeper into an artist’s catalog, listening to more tracks for each artist they discovered. Although our study shows that a great deal of information about personality is communicated through musical preferences, there are some limitations that may motivate future research. Our dataset was limited to a small group of US Spotify users, which limits the generalizability especially to non-Westernized cultures and those who do not have internet-enabled devices. This is broadly true for most studies of musical preferences and habitual listening behavior, making it a critical extension. Future research should also expand our work by investigating other personality constructs like cognitive profiles or narrative identities. These avenues will continue to expand our understanding of the connection between personality and music.
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Read More »That said, we recognize that one’s digital history is extraordinarily personal and sensitive. As such it must be treated with proper consideration of the conceivable misuses and unintended externalities from its access. Our research was conducted in such a framework, including a review board that scrutinized our design and methods before granting formal ethical approval. We disavow any future research or applications that violate ethical standards of data usage and are not transparent about privacy to its users.
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