Does F flat exist?

, C♭, D♭, and E♭ Its key signature has six flats and one double flat.

en.wikipedia.org - F-flat major - Wikipedia

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F-flat major (or the key of F-flat) is a theoretical key based on F♭, consisting of the pitches F♭, G♭, A♭, B , C♭, D♭, and E♭ Its key signature has six flats and one double flat.[1]

The F-flat major scale is:

Audio playback is not supported in your browser. You can download the audio file Its relative minor is D-flat minor, usually replaced by C-sharp minor (see reason below) and its parallel minor is F-flat minor, usually replaced by E minor, since F-flat minor's four double-flats make it generally impractical to use. Because of that, it is usually enharmonic to E major with 4 sharps.

Music in F-flat major [ edit ]

Although F-flat major is usually notated as its enharmonic equivalent of E major, because E major has four sharps only as opposed to F-flat major's eight flats (including the B ), part of Richard Strauss' Metamorphosen uses F-flat major, which one commentator has called "a bitter enharmonic parody" of the earlier manifestations of E major in the piece.[2] Beethoven also used F-flat major in his Piano Sonata No. 31, Op. 110. In the first movement's exposition, the transitional passage between the first and second subjects consists of arpeggiated figuration beginning in A-flat major and modulating to the dominant key of E-flat major. In the recapitulation, the key for this passage is changed to bring the second subject back in A-flat major: the transitional passage appears in a key that would theoretically be F-flat major, but which is notated in E major, presumably because Beethoven judged this easier to read – this key being a major third below the key of the earlier appearance of this passage. Likewise, the second movement (in A-flat major) of Beethoven's Piano Sonata No. 8 (Pathétique) contains six measures of what would theoretically be F-flat major, but notated as E major (keeping the 4-flat key signature of the movement, so every note in the passage has an accidental). Another example of F-flat major being notated as E major can be found in the Adagio of Haydn's Trio No. 27 in A-flat major. The Finale of Bruckner's Symphony No. 4 employs enharmonic E for F-flat, but its coda employs F-flat directly, with a Phrygian cadence through F-flat onto the tonic.[3][4][5] An example of F-flat major being used directly is in Victor Ewald's Quintet No. 4 in A-flat major (Op. 8), where the entirety of the third movement is notated in this key.[6] The climax that occurs in the middle of Samuel Barber's Adagio for Strings resolves to F-flat major.[citation needed] The final cadence of John Rutter's setting of Robert Herrick's poem "What Sweeter Music" is in F-flat major.[citation needed] In Bach's Prelude and Fugue in E-flat minor, a brief section in bar 26 of the piece modulates to F-flat major.[citation needed]

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Who had the most Top 40 hits in the 60s?

Number ones The Beatles had the highest number of top hits at the Billboard Hot 100 chart during 1958–1969 (18 songs).

en.wikipedia.org - List of Billboard Hot 100 number-one singles from 1958 to 1969 - Wikipedia

This article is about the American Billboard Hot 100 chart held from 1958 to 1969. The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During 1958–1969 the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.

Number ones [ edit ]

Note: The year-end number-one singles for 1963, 1965 and 1966 were "Surfin' U.S.A." by The Beach Boys, "Wooly Bully" by Sam the Sham & the Pharaohs, and "California Dreamin'" by The Mamas and the Papas, respectively, which peaked at numbers 3, 2, and 4, also respectively, and thus are not included here. The Beatles had the highest number of top hits at the Billboard Hot 100 chart during 1958–1969 (18 songs). In addition, The Beatles remained the longest at the top of the Billboard Hot 100 chart during 1958–1969 (55 weeks). Elvis Presley remained at the top of the Billboard number-one singles chart for 22 weeks during 1958–1969. The Supremes remained at the top of the Billboard number-one singles chart for 22 weeks during 1958–1969.

Statistics by decade [ edit ]

By artist [ edit ]

The following artists achieved four or more number-one hits during 1958–1969. A number of artists had number-one singles on their own as well as part of a collaboration.