For this reason, you will often find pianists performing Contemporary music with sheet music. It's a much different style and not necessarily structured the same way as standard classical music.
Niccolò Paganini used similar techniques on the violin in the early 1800s used in traditional Turkish folk music and the first example on the...
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Read More »After those measures are solid I choose another four measures and then add them with the previous four. This is the stacking up method which allows me to not chew off too much music all at once for memory. Muscle memory is a major factor in memorization. With quality, repetition comes results. The more a musician plays the same notes and passages over and over again, the more it sticks in their fingers. This is why it’s important to always play the right notes and why tempo is not a major factor in the early stages of memorizing music. Sometimes it’s helpful to practice the piano away from the actual instrument to improve muscle memory. This consists of finding a flat surface and going through the motions. Pretend as if you are playing the keys themselves. The lack of security from having any keys press down really puts the focus on playing the right fingers and doing the right emotions note matter where you are. This is a true sign that muscle memory is working at its highest level. Musicians, in general, will also use visual aids to help guide them in memory. The concert stage can be a scary place, and with adrenaline and nerves running high it helps to have visual aids to guide your performance. Pianists will identify certain images in their minds to remind them of what’s coming next. They can associate certain smells or images with specific chords or landmarks in the music. This helps them to know what’s coming next even if they aren’t explicitly thinking about the notes themselves. When looking at the keys pianists can also take snapshots of certain notes so that they know where they are moving to in parts of the music. One thing I see pianists do a lot of is to close their eyes during performance. This might seem illogical, but the idea is to fully immerse themselves in the music and to get rid of the distractions. A huge part of playing music from memory effectively is to calm the mind and play freely. Without that, all of the hard work to learn the music can be quickly erased with a wall of mistakes.
Those abusing Sonata will experience a mild, euphoric rush punctuated with bouts of hallucinations and 'blackouts,' or intermittent memory loss.
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