But there are also many great rock guitarists who were classically trained and most definitely can read music: Brian May of Queen being the first one who comes to mind.
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Read More »There is, it seems, an eternal debate among guitar players about whether or not it is a good idea to go to the trouble of learning to read standard notation. Indeed, you don’t have to talk to too many guitarists before you’ll hear the view expressed that there is actually something pretty uncool about being able to read music – almost as if gaining this particular skill will somehow strip you of your ability to play spontaneously or with feeling. Yet, if you ask anyone who has taken up guitar after having cut their teeth on a different instrument; one that is usually taught using standard notation; then I guarantee you will never hear them complain that understanding standard notation is any kind of disadvantage when it comes to learning to play guitar. There are of course several notable examples of truly great musicians who never learnt to read – the incomparable Django Reinhardt being, to my mind, the best of these. But there are also many great rock guitarists who were classically trained and most definitely can read music: Brian May of Queen being the first one who comes to mind.
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Read More »I have to say that, for all other students (those with a preference for Blues, Rock, Country and even Jazz guitar) I have found only a disadvantage in introducing the learning of standard notation in the first year or so of their learning. However, it should be noted that other guitar teachers may have very differing views on this, largely depending, I think, on how they themselves learnt to play guitar. For more advanced students the early introduction of standard notation is I think, definitely appropriate if they come for lessons with one or more of the following specific goals in mind:
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Learn More »I think it is fair to say that, for a great many guitar players, this is as far as they feel they need to take the process of learning to read music. After all, what more is required? There are hundreds of publications, web sites and iphone apps that will produce grid diagrams for every chord under the sun. There are tabs available, both online and in book form, for practically every guitar solo or rhythm part ever recorded. So what, if anything, is wrong with playing guitar from tabs and rhythm charts alone? The answer is that by restricting yourself to reading music in this way, you are limiting the growth of your understanding of music. You are literally just following instructions. This may still result in your playing perfect sounding copies of other people’s music and if that is what you enjoy about playing guitar then personally, I think it’s fine to stop right there. My teaching experience tells me though that it doesn’t matter whether you learn one piece of music from tab, or two hundred – because you are relying on someone else’s instructions you will never scratch below the surface and gain any real insight into what notes you are playing, nor why those notes work over those particular chords. But now we come to the crunch. I think the heart of the issue lies in how you answer the following question:
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