Piano Guidance
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Can a piano be in a band?

Playing pop/rock piano in a band can be great fun. It can also teach you a lot about music. There's nothing better for your creativity than feeding off of other great musicians on the band stand, in rehearsals, or in the recording studio.

pianoteachersconnect.com - Playing Piano in Pop/Rock Bands
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To play pop/rock piano and keyboards in a band requires energy and restraint; it means having great skill and technical ability, and knowing when and how to use them. Playing pop/rock piano in a band can be great fun. It can also teach you a lot about music. There’s nothing better for your creativity than feeding off of other great musicians on the band stand, in rehearsals, or in the recording studio. You will develop your ears, through listening and reacting to your band members, and your improvisation, through soloing, part-writing, jamming, and reacting to the unexpected twists and turns that can happen in group performance. Our online pop/rock piano teachers can teach you the ins and outs of playing in a pop/rock band. Our online piano teachers have extensive experience performing, recording, and touring with bands through the UK, United Staes, Europe, and internationally. Their perspective on what it takes to be a great band member can help you avoid some of the pitfalls and mistakes that can annoy other musicians, and can help you contribute the greatest possible skill and talent through your pop/rock piano and keyboard playing. Here are some of the main principles that will help you become a great band member and keys player: Learn each song inside-out: Having a thorough sense of what the other musicians are playing - knowing the drum part, bass part, guitar part, etc - will help you perform your own part better, and gel with the rest of the band. Know when to play less: A band of 4 or 5 musicians can produce a lot of sound. The ability to produce different textures and dynamics can give your band’s sound more depth and interest. There are times when it’s best to play a simple part, with one hand only, and other times when you can cut out completely, leaving room for others to shine. Move seamlessly from background to foreground: You may be playing a simple, repetitive part for several minutes, when suddenly it’s time for the keyboard solo. Your role in the band can change instantly, and you must be ready, bringing intense energy, excitement, and volume when it’s required. Styles of accompaniment: Being able to provide pads, rhythmic figures, arpeggios, and counter-melodies, and at ease with piano, organ, clavinet, rhodes, synth, and other common keyboard patches are essential for fulfilling your role on keyboards in a band.

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Is Fur Elise easy?

Fur Elise is not really for beginners, it is more of an intermediate level piece.

Fur Elise is not really for beginners, it is more of an intermediate level piece. My teacher's rule is that after a couple of weeks, I should be able to play a piece I have learnt (not concert level of course, but going through it without any major issues like notes or tempo). There might be exceptions for professionals working on difficult repertoire, but from an amateur point of view, I think it is more motivating this way and that it helps build confidence too. I know some teachers who would teach only one or a couple of difficult pieces in 1 year, but is it really worth it?

I think that if after two months you are still struggling, the piece is probably above your level. The first part is the easiest to play, maybe focus on playing the first part for now and keep the rest for when you are more advanced?

Technically speaking, if you do not want to slow down during the rather fast passages, you need to be comfortable playing a chromatic scale (let's say at a 120 tempo), an a minor arpeggio, and the same goes for the c major scale. I agree with Danielo about the patience and self discipline, although I have doubts about the fact that playing really slowly for two months will improve your speed. I think it will improve your accuracy only. You need to be consistent in your practice for months/years if you want to build a strong technique, and gradually speed up.

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