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Are people with dyslexia better at music?

On most tests of auditory perception, the dyslexic musicians scored as well as their non-dyslexic counterparts, and better than the general population. Where they performed much worse was on tests of auditory working memory, the ability to keep a sound in mind for a short time (typically seconds).

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Dyslexia is a frustrating disorder that gives otherwise smart people trouble with reading. Nobody knows exactly what causes it, but one popular hypothesis is that the root of the problem is a deficit in the brain's ability to process sounds, especially during childhood. Kids who have a hard time parsing all those talky sounds that grownups make also struggle to learn the connections between speech sounds and words on a page. And that's what causes the reading difficulties, or so the thinking goes. But if parsing sounds is really the whole problem, how do you explain dyslexic musicians? After all, musicians are supposed to excel at making sense of sound. But a small number of them, it turns out, have dyslexia. Now, a team of researchers at Hebrew University in Israel has tried to sort this problem out–by rounding up, for the first time, a cohort of dyslexic musicians and testing their language abilities. The researchers, led by psychologist Merav Ahissar, tested 52 musicians on basic auditory perception (such as their ability to tell similar tones or similar time intervals apart) as well as auditory perception related specifically to music (distinguishing different rhythms or melody) or language (like the ability to discriminate words from similar-sounding non-words they heard). They also gave the musicians memory tests and tested their reading speed and accuracy. It took years, in part because dyslexic musicians are rare, Ahissar says. (No one knows exactly how rare though – Ahissar says she couldn't find any studies on whether the disorder is any more or less common in musicians than in the general population, where estimates range from one to ten percent). Eventually, Ahissar's student Atalia Weiss, a graduate of Hebrew University's music academy, was able to recruit 24. What did they find? On most tests of auditory perception, the dyslexic musicians scored as well as their non-dyslexic counterparts, and better than the general population. Where they performed much worse was on tests of auditory working memory, the ability to keep a sound in mind for a short time (typically seconds). In fact, the dyslexic musicians with the poorest working memory tended to have the lowest reading accuracy. Those with better working memory tended to be more accurate. Writing in the February issue of the journal Neuropsychologia, Ahissar and her team suggest that auditory working memory might be a bottleneck for the performance of people with dyslexia. If so, that might shift more of researchers' attention to memory-related brain regions in addition to the auditory areas that have gotten most of the attention in dyslexia research. The results make a lot of sense. Learning a language requires making connections between sounds, what they mean, and how writing represents them, and memory is a crucial part of that process, says Nina Kraus, a neuroscientist who studies music and language at Northwestern University. "If you can't remember a sound, you can't make the connection." In other words, to become a linguisitic virtuoso, memory is just as important as perception.

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What does 3 flats mean in music?

[English] This term refers to an accidental symbol that lowers a note by three semitones (or three half steps). This symbol is indicated by three flat (♭) symbols preceding the note.

[English]

This term refers to an accidental symbol that lowers a note by three semitones (or three half steps ). This symbol is indicated by three flat (♭) symbols preceding the note . It should be noted that theis extremely rare and can only be found in a very few compositions throughout all of the history of modern musical notation . It is only used in classical music and is more theoretical than practical. Most musicians (professional or amateur) will never see or perform in their entire musical career. Thesymbol alters the pitch of the note to which it is attached as well as any subsequent occurrence of the same note (identical line or space ) in the same measure Notes with the same pitch name, but a higher or lower octave , are not effected. Any note with athat also has a tie across a barline carries theto the note on the other side of the barline Notes in the new measure that are not tied to altered notes from the previous measure revert to their original pitch and are performed using the current key signature . It should also be noted that awill always be shown with three flat symbols (♭♭♭), regardless of the key signature . The example below shows a rarein theby Nikolai Roslavets, written in 1914. Notice that the flat symbols are connected at the top by beams and courtesy accidentals are also shown enclosed in parentheses marks.

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